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The Composer in Academia: Reflections on a Theme of Stravinsky
Donald M. McCorkle
October 1, 1970
Historical Anthologies of Music—A Review and Critique
Edward R. Lerner
October 1, 1970
Performance and the Laborde Chansonnier: Authenticity of Multiplicities—Introduction
Robert Austin Warner
October 1, 1970
Performance and the Laborde Chansonnier: Authenticity of Multiplicities—The Manuscript, Repertory, and Enigmas
Gwynn S. McPeek
October 1, 1970
Performance and the Laborde Chansonnier: Authenticity of Multiplicities—Musica Ficta
David Crawford
October 1, 1970
Performance and the Laborde Chansonnier: Authenticity of Multiplicities—The Medium
Edith Borroff
October 1, 1970
Performance and the Laborde Chansonnier: Authenticity of Multiplicities—Ornamentation and Other Performance Problems
John W. Grubbs
October 1, 1970
Introducing CAUSM
G. Welton Marquis
October 1, 1970
The Core Commitment in Theory and Literature for Tomorrow's Musician
William Ennis Thomson
October 1, 1970
In Quest of the Roman Numeral
Mary Jeanne van Appledorn
October 1, 1970
Arts/Worth, a Project of the National Council of the Arts in Education
Joseph C. Sloane
October 1, 1970
Enhancing Music Appreciation with Scholarship
Arthur R. Tollefson
October 1, 1970
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