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An Analysis of Triadic Post-tonality in Sky Macklay’s
Many Many Cadences
for String Quartet
January 10, 2018
DOI
https://doi.org/10.18177/sym.2018.58.sr.11367
PDF
https://www.jstor.org/stable/26564931
Composing a Sound: Giacinto Scelsi’s L’âme ailée / L’âme ouverte for violin solo
December 22, 2017
DOI
https://doi.org/10.18177/sym.2017.57.sr.11365
PDF
https://www.jstor.org/stable/26574456
Music Faculty at Work in the Academy: Job Crafting
December 21, 2017
DOI
10.18177/sym.2017.57.sr.11364
PDF
https://www.jstor.org/stable/26574459
Rock Guitar in the Conservatoire: The Confluence of Informal and Formal Music Education
December 21, 2017
DOI
https://doi.org/10.18177/sym.2017.57.sr.11363
PDF
https://www.jstor.org/stable/26574461
Seduction and Subversion: The Feminist Strategies of Siouxsie and the Banshees
December 13, 2017
DOI
https://doi.org/10.18177/sym.2017.57.sr.11366
PDF
https://www.jstor.org/stable/26574462
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