Volume 20 - College Music Symposium

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Volume 20

Articles

Oral History in Music: A Practical Guide

Iconography of the Viol: The Soloist in Baroque Portraits

Zoltán Kodály As Musician-Educator Exemplar: A Critique

A Union Goes to College

Teaching Music History: An Interview with William Kimmel

Approaching Musical Classicism—Understanding Styles and Style Change in Eighteenth-Century Instrumental Music

An Evolutionary View of Neapolitan Formations in Beethoven's Pianoforte Sonatas

The Phrygian Inflection and the Appearances of Death in Music

Toward Greater Teaching Effectiveness

Schoenberg's Sketches and the Teaching of Atonal Theory

Comprehensive Musicianship: Some Cautionary Words

Carlos Castaneda and don Juan—Lessons in Sonic Awareness

Oratorical Thought and the Tragédie lyrique: A Consideration of Musical-Rhetorical Figures

Three Aspects of Music in Ancient China and Greece

Ernest Bloch: A Retrospective on the Centenary of His Birth

A Brief History of Composers' Groups in the United States

The Arts in Higher Education: New Meaning for a New Decade

Our Challenge for the Eighties

Reviews

The Concise Oxford History of Music, by Gerald Abraham

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