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Volume 20
Oral History in Music: A Practical Guide
Ruth Julius
October 1, 1980
Iconography of the Viol: The Soloist in Baroque Portraits
Barbara Coeyman
October 1, 1980
Zoltán Kodály As Musician-Educator Exemplar: A Critique
Samuel D. Miller
October 1, 1980
A Union Goes to College
Yvette Bader
October 1, 1980
Teaching Music History: An Interview with William Kimmel
Adrienne Fried Block
October 1, 1980
Approaching Musical Classicism—Understanding Styles and Style Change in Eighteenth-Century Instrumental Music
A. Peter Brown
October 1, 1980
An Evolutionary View of Neapolitan Formations in Beethoven's Pianoforte Sonatas
Harold Thompson
October 1, 1980
The Phrygian Inflection and the Appearances of Death in Music
William Kimmel
October 1, 1980
Toward Greater Teaching Effectiveness
Manny Brand
October 1, 1980
Schoenberg's Sketches and the Teaching of Atonal Theory
Martha MacLean Hyde
October 1, 1980
Comprehensive Musicianship: Some Cautionary Words
A. Cutler Silliman
October 1, 1980
Carlos Castaneda and don Juan—Lessons in Sonic Awareness
Heidi Von Gunden
October 1, 1980
Oratorical Thought and the Tragédie lyrique: A Consideration of Musical-Rhetorical Figures
Leslie Ellen Brown
October 1, 1980
Three Aspects of Music in Ancient China and Greece
Mary T. Guerrant
October 1, 1980
Ernest Bloch: A Retrospective on the Centenary of His Birth
David Z. Kushner
October 1, 1980
A Brief History of Composers' Groups in the United States
Marshall Bialosky
October 1, 1980
The Arts in Higher Education: New Meaning for a New Decade
Elizabeth C. French
October 1, 1980
Our Challenge for the Eighties
Robert Glidden
October 1, 1980
The Concise Oxford History of Music
, by Gerald Abraham
Dika Newlin
October 1, 1980
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