College Music Symposium College Music Symposium College Music Symposium

An Analysis of Triadic Post-tonality in Sky Macklay’s Many Many Cadences for String Quartet

January 10, 2018

  • DOI https://doi.org/10.18177/sym.2018.58.sr.11367
  • PDF https://www.jstor.org/stable/26564931

Composing a Sound: Giacinto Scelsi’s L’âme ailée / L’âme ouverte for violin solo

December 22, 2017

  • DOI https://doi.org/10.18177/sym.2017.57.sr.11365
  • PDF https://www.jstor.org/stable/26574456

Music Faculty at Work in the Academy: Job Crafting

December 21, 2017

  • DOI 10.18177/sym.2017.57.sr.11364
  • PDF https://www.jstor.org/stable/26574459

Rock Guitar in the Conservatoire: The Confluence of Informal and Formal Music Education

December 21, 2017

  • DOI https://doi.org/10.18177/sym.2017.57.sr.11363
  • PDF https://www.jstor.org/stable/26574461

Seduction and Subversion: The Feminist Strategies of Siouxsie and the Banshees

December 13, 2017

  • DOI https://doi.org/10.18177/sym.2017.57.sr.11366
  • PDF https://www.jstor.org/stable/26574462
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