Volume 23 - College Music Symposium

Volume 23

Articles

Four Songs by Margaret McClure Stitt

The Tempo di Minuetto Aria in Mozart's Operas

Music Research in Puerto Rico

Harmony in the Solo Piano Works of Olivier Messiaen: The First Twenty Years

Enumeration of Dissonance in the Masses of Palestrina

A New Look at Palestrina's Missa Papae Marcelli

The Arts in Our Society

New Music is Dead Long Live New Music

"I Did It in the Interests of the Public:" Thoughts on the Macabre Demise of Sundry Operatic Tenors

Why Music Critics Disagree

Intersects in the Musicological Juncture: On the Relationship Between History, Theory, and Criticism

On Translating Schoenberg's Harmonielehre

Beyond the Limits of Urtext Authority: A Contemporary Record of Early Nineteenth-Century Performance Practice

Handel's Oratorios as Drama

Ernest Bloch's Enfantines

Structure and Imagination

The Effect of Scoring on the "Sonata-Form" in Mozart's Mature Instrumental Ensembles

College Student Recruitment: The Importance of Faculty Participation

Student Evaluations: Measure of Teacher Effectiveness or Popularity?

The Show Choir Movement: Uses and Abuses—A Symposium

Entertainment, Enlightenment, and Service: A History and Description of Choral Music in Higher Education

In Response to Wingspread

Reviews

Dziga Vertov's Enthusiasm: Musique Concrète in 1930

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