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Bartok at the Crossroads: A Classical Sonatina from Five Rumanian Folk Dances
October 1, 2003
PDF
https://www.jstor.org/stable/40374474
Linear-Derived Harmony
, by Arthur Komar
October 1, 1993
PDF
https://www.jstor.org/stable/40374259
Schoenberg on the Modes: Characteristics, Substitutes, and Tonal Orientation
October 1, 1993
PDF
https://www.jstor.org/stable/40374253
Deconstructing McClary: Narrative, Feminine Sexuality, and Feminism in Susan McClary's Feminine Endings
October 1, 1993
PDF
https://www.jstor.org/stable/40374248
The German Model in Music Curricula
October 1, 1990
PDF
https://www.jstor.org/stable/40374047
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