Volume 30 - College Music Symposium

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Volume 30

Articles

Analyzing Improvised Jazz

Beethoven, Tristan, and The Beatles

The Rich Messiness of Music: Teaching Theory in Music with Contradiction and Paradox

Idea and Analysis: Aspects of Unification in Musical Explanation

Structural Unities in a Work of Bartók: "Boating" from Mikrokosmos, Vol. 5

Structure in the Fifth Door Scene of Bartók's Duke Bluebeard's Castle: An Alternative Viewpoint

Bartók's Bluebeard: The Sources of Its "Modernism"

Six Case Studies in New American Music: A Postmodern Portrait Gallery

Toru Takemitsu and the Unity of Opposites

Marie-Emmanuelle Bayon, Later Madame Louis, and Music in Late Eighteenth-Century France

Feminist Scholarship and the Field of Musicology: II

"Music as a Pursuit for Men": Accompanied Keyboard Music as Domestic Recreation in England

Frederick the Great: Flutist and Composer

Teaching Introductory Music Courses with a "More Comprehensive Perspective"

The German Model in Music Curricula

Beyond Music in Western Civilization: Issues in Undergraduate Music History Literacy

New Solutions to Canon 10 of J.S. Bach's Fourteen Canons BWV 1087

Berg, Strindberg, and D Minor

Teleology and Structural Determinants in Beethoven's C# Minor Quartet, Op. 131

Poem to Music: Schumann's "Mondnacht" Setting

Reading Schumann By Way of Jean Paul and His Contemporaries

Robert Schumann and the "Real" Davidsbündler

Rehearing the Moment and Hearing In-the-Moment: Schubert's First Two Moments Musicaux

Reviews

Performance Practices in Classic Piano Music: Their Principles and Application, by Sandra P. Rosenblum

American Popular Music and Its Business: The First Four Hundred Years, by Russell Sanjek

The Time of Music, by Jonathan D. Kramer

Paul Hindemith in the United States, by Luther Noss

Analytic Approaches to Twentieth-Century Music, by Joel Lester

Nineteenth-Century Music, by Carl Dahlhaus

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