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Analyzing Improvised Jazz
Gary Potter
October 1, 1992
Beethoven, Tristan, and The Beatles
Robert Gauldin
October 1, 1990
The Rich Messiness of Music: Teaching Theory in Music with Contradiction and Paradox
Michael R. Rogers
October 1, 1990
Idea
and Analysis: Aspects of Unification in Musical Explanation
Claire Boge
October 1, 1990
Structural Unities in a Work of Bartók: "Boating" from
Mikrokosmos
, Vol. 5
Peter Child
October 1, 1990
Structure in the Fifth Door Scene of Bartók's
Duke Bluebeard's Castle
: An Alternative Viewpoint
Carl S. Leafstedt
October 1, 1990
Bartók's
Bluebeard
: The Sources of Its "Modernism"
Elliott Antokoletz
October 1, 1990
Six Case Studies in New American Music: A Postmodern Portrait Gallery
Robert B. Carl
October 1, 1990
Toru Takemitsu and the Unity of Opposites
Timothy Koozin
October 1, 1990
Marie-Emmanuelle Bayon, Later Madame Louis, and Music in Late Eighteenth-Century France
Deborah Hayes
October 1, 1990
Feminist Scholarship and the Field of Musicology: II
Jane Meredith Bowers
October 1, 1990
"Music as a Pursuit for Men": Accompanied Keyboard Music as Domestic Recreation in England
Howard Irving
October 1, 1990
Frederick the Great: Flutist and Composer
Andrea Kapell Loewy
October 1, 1990
Teaching Introductory Music Courses with a "More Comprehensive Perspective"
James Parakilas
October 1, 1990
The German Model in Music Curricula
Roger Rideout
October 1, 1990
Beyond Music in Western Civilization: Issues in Undergraduate Music History Literacy
Mary Dupree
October 1, 1990
New Solutions to Canon 10 of J.S. Bach's Fourteen Canons BWV 1087
Peter Harrow
October 1, 1990
Berg, Strindberg, and D Minor
David P. Schroeder
October 1, 1990
Teleology and Structural Determinants in Beethoven's C# Minor Quartet, Op. 131
Barbara Barry
October 1, 1990
Poem to Music: Schumann's "Mondnacht" Setting
Curt Cacioppo
October 1, 1990
Reading Schumann By Way of Jean Paul and His Contemporaries
John Daverio
October 1, 1990
Robert Schumann and the "Real" Davidsbündler
Andrew Fowler
October 1, 1990
Rehearing the Moment and Hearing In-the-Moment: Schubert's First Two Moments Musicaux
Charles B. Fisk
October 1, 1990
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