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A "Requiem for the Requiem": On Stravinsky's Requiem Canticles
Jeffrey Perry
October 1, 1993
Fluidity in Paul Simon's Graceland: on Text and Music in a Popular Song
James Bennighof
October 1, 1993
Music as Organic Evolution: Schoenberg's Mythic Springboard Into the Future
William Ennis Thomson
October 1, 1993
Schoenberg's Theoretical Writings after the Harmonielehre: A Study of the Published and Unpublished Manuscripts
Severine Neff
October 1, 1993
Sketch Study and Analysis: Berg's Twelve-Tone Music
Dave Headlam
October 1, 1993
Schoenberg on the Modes: Characteristics, Substitutes, and Tonal Orientation
Murray Dineen
October 1, 1993
Reflections on the Relationship of Analysis and Performance
Catherine Nolan
October 1, 1993
Composers' Revisions and the Creative Process
Matthew Brown
October 1, 1993
An Analytical Approach to Seventeenth-Century Music: Exploring Inganni in Fantasia Seconda (1608) by Girolamo Frescobaldi
Gene S. Trantham
October 1, 1993
Beyond "Bach-Centrism": Historiographic Perspectives on Johann Sebastian Bach and Seventeenth-Century Music
Stephen A. Crist
October 1, 1993
Deconstructing McClary: Narrative, Feminine Sexuality, and Feminism in Susan McClary's Feminine Endings
Elizabeth Sayrs
October 1, 1993
Women Choral Conductors at the Collegiate Level: Status and Perspectives
Lori R. Hetzel and Kay Norton
October 1, 1993
Lessons from a World: Balinese Applied Music Instruction and the Teaching of Western "Art" Music
Michael B. Bakan
October 1, 1993
The Unvarnished Truth about Commercial Ear-Training Software
Ann Blombach and Bruce Benward
August 31, 1994
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