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Music as Narrator: Mahler, Mussorgsky, and Beethoven in Visconti’s
Death in Venice
October 1, 2009
PDF
https://www.jstor.org/stable/41225265
A Multi-Level Approach to More Secure Memorization
October 1, 2009
PDF
https://www.jstor.org/stable/41225253
From Beta to Theta: Human Consciousness, Hypnosis and Music Performance
October 1, 2009
DOI
https://www.jstor.org/stable/41225252
The Importance of Being Earnest: Rapport in the Applied Studio
October 1, 2009
PDF
https://www.jstor.org/stable/41225251
Evaluating Music Performance: Politics, Pitfalls, and Successful Practices
October 1, 2009
PDF
https://www.jstor.org/stable/41225250
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