Sonata in C Major, Op. 37, for Piano Four Hands, by Anton Diabelli

  • DOI: http://dx.doi.org/10.18177/sym.2014.54.sr.10289

The purpose of this recording project is to highlight Anton Diabelli’s Sonata in C major, Op. 37 for Piano Four Hands. Very few piano duet teams are aware of the many wonderful sonatas by Diabelli and it seems from our research that none have been recorded. We have selected Op. 37 to record since this sonata is the most musically developed and entertaining in our opinion.

Our duet team frequently programs four-hand sonatas by Diabelli in our recitals and it is our hope that more pianists will recognize the value of these obscure works and employ them in their own performance and teaching. With the limited number of standard piano four-hand works in the repertoire, we hope that this project will help expand this repertoire at least in a small way.

Recording Date: November 12, 2012
Recording Location: Claflin University
Ensemble Type: Piano Duet
Duration: 0:12:12
Performer: Duo Korusa

About the Music

Composer: Anton Diabelli
Instrumentation: Piano Duet
Music Styles: Classical

Much like the composer, pianists, piano pedagogues, and aficionados have largely forgotten the Sonata in C major Op. 37 for Piano Four Hands by Anton Diabelli. However this sonata deserves a place in the mainstream repertoire owing to a melodic tunefulness and quirky charm that is very audience accessible.

Schubert is generally regarded as the first composer who made the piano duet into a higher art form, so perhaps Diabelli’s close connection to Schubert as his publisher might have stimulated Diabelli’s desire to write this and other four-hand sonatas. Although it can be assumed they were likely written between 1820 and 1840, their anachronistic style includes many of the techniques of Classical period. Each sonata has similar movement structure, reminiscent of the comic operas of Mozart or Rossini: the first movement is in a style of operatic overture, the second movement lyrical aria, and the last movement cheerful dance or rondo. We also can find Beethovenian influence in these sonatas. Diabelli’s frequent use of harmonic surprises, unusual harmonic direction involving diminished seventh chords, modulations, syncopation, and sforzando are good examples. Diabelli’s sonatas also feature vivid interactive dialogue between primo and secondo particularly in contrast to similar sonatas by Mozart.

Although not overwhelmingly difficult either from a technical or musical standpoint, professional duet teams would find this sonata an effective and satisfying opener for a recital.


Sonata in C major, Op. 37, for Piano Four Hands, by Anton Diabelli

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Last modified on Thursday, 27/09/2018

Jacob Clark and Sujung Cho

Established by pianists Sujung Cho and Jacob Clark, Duo Korusa is a versatile piano duo/duet team dedicated to the performance of lesser-known works of the 19th and 20th century, as well as new works of the 21st century.  Duo Korusa has been performing rare piano duet works in venues throughout South Carolina since its inception in 2012. Both members of Duo Korusa are professors of piano at historically black universities in Orangeburg, South Carolina.  Equally academics and performers, both members of Duo Korusa have a keen interest in research and have presented lecture recitals at regional conferences of the College Music Society in venues across the United States.  Duo Korusa has also had the honor of being selected to present a lecture for South Carolina State University’s Faculty Brown Bag Lecture Series sponsored by the College of Humanities, Education, and Social Sciences.  Upcoming engagements include a recital at Gardner-Webb University, and lecture recitals at the University of Montana and the University of Tennessee.  Duo Korusa will also perform a new work entitled Motions for Piano Duet at the Northeastern Regional Conference of The College Music Society in March.

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