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Volume 57
Seduction and Subversion: The Feminist Strategies of Siouxsie and the Banshees
Charles Mueller
December 13, 2017
Composing a Sound: Giacinto Scelsi’s L’âme ailée / L’âme ouverte for violin solo
Thomas DeLio
December 22, 2017
Music Faculty at Work in the Academy: Job Crafting
Sang-Hie Lee and Jonathan McNaughtan
December 21, 2017
Rock Guitar in the Conservatoire: The Confluence of Informal and Formal Music Education
Clive Maxwell Harrison
December 21, 2017
Creating Music Curricula of the Future: Preparing Undergraduate Music Students to Engage
Roger Mantie, Sarah Gulish, Greg McCandless, Ted Solis, David Williams
September 27, 2017
The Virtual Tuba Quartet: Facilitating Asynchronous Musical Collaboration in a Chamber Ensemble Setting
Emmett James O'Leary
September 22, 2017
Approachable Contemporary Piano Repertoire! A Study of Selected Piano Works by Two Living Composers: David Duke and Stefan Young
Wei Chen Lin
July 25, 2017
Jean Sibelius as a Song Composer
Sooah Park
July 21, 2017
A New Approach to Music History Pedagogy Using iPad Technology and Flipped Learning
Art Brownlow
July 21, 2017
What is Online? A National Survey of Course Offerings in Music and a Case Study in Music Theory
Brendan McConville and Barbara Murphy
June 29, 2017
All My Students Are Non-Majors: An Online Music Appreciation Course for a Diverse Student Body
Kim Davenport
March 31, 2017
What Defines an Audio Logo? Composition and Meaning
Stan Renard
March 28, 2017
Technology-Mediated Musical Accompaniment: A Post-Production Analysis of Timbral Change with Virtual Instruments and Attentive Mixing
Daniel A. Walzer
March 20, 2017
Examining Equity in Tenure Processes at Higher Education Music Programs: An Institutional Ethnography
Deborah Bradley, Deanna Yerichuk, Lori-Anne Dolloff, Kiera Galway, Kathy Robinson, Jody Stark and Elizabeth Gould
January 31, 2017
Heritage Band of the Midwest Digital Audio Archives: 40-Plus Years of Volunteer Dedication to International Wind Band Music
David Brian Williams
April 28, 2017
Orchestrating the Nation: The Nineteenth-Century American Symphonic Enterprise
by Douglas W. Shadle
Richard Wayne Wright
December 11, 2017
Concise Introduction to Tonal Harmony
by L. Poundie Burstein and Joseph N. Straus
Nathan Fleshner
August 8, 2017
Convent Music and Politics in Eighteenth-Century Vienna
by Janet K. Page
Alison DeSimone
January 17, 2017
Towards Future Leadership in America’s Music Schools
Robert S. Freeman
September 23, 2017
DOI
https://doi.org/10.18177/sym.2017.57.fr.11358
Beyond Beauty, Brilliance, and Expression: On Reimagining Jazz and Classical Music Performance Training & Reconnecting with the General Public
Michael Stepniak
September 21, 2017
DOI
https://doi.org/10.18177/sym.2017.57.fr.11353
PDF
https://www.jstor.org/stable/26574470
Making a Case for Orchestra Music in String Lessons
David R. Reimer
June 23, 2017
DOI
https://doi.org/10.18177/sym.2017.57.fr.11344
PDF
https://www.jstor.org/stable/26574473
Incorporating Composition into the Applied Saxophone Pedagogy in Higher Education
Michael Rene Torres
April 14, 2017
DOI
https://doi.org/10.18177/sym.2017.57.fr.11341
PDF
https://www.jstor.org/stable/26574472
The Future of Arts Performance in Higher Education
Rick E. Goodstein, Eric J. Lapin & Ron C. McCurdy
March 22, 2017
DOI
https://doi.org/10.18177/sym.2017.57.fr.11338
PDF
https://www.jstor.org/stable/26574471
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