An Analysis of Triadic Post-tonality in Sky Macklay’s Many Many Cadences for String Quartet

Published online: 10 January 2018
DOI: https://doi.org/10.18177/sym.2018.58.sr.11367
PDF: https://www.jstor.org/stable/26564931

Composing a Sound: Giacinto Scelsi’s L’âme ailée / L’âme ouverte for violin solo

Published online: 22 December 2017
DOI: https://doi.org/10.18177/sym.2017.57.sr.11365
PDF: https://www.jstor.org/stable/26574456

Music Faculty at Work in the Academy: Job Crafting

Published online: 21 December 2017
DOI: 10.18177/sym.2017.57.sr.11364
PDF: https://www.jstor.org/stable/26574459

Rock Guitar in the Conservatoire: The Confluence of Informal and Formal Music Education

Published online: 21 December 2017
DOI: https://doi.org/10.18177/sym.2017.57.sr.11363
PDF: https://www.jstor.org/stable/26574461

Seduction and Subversion: The Feminist Strategies of Siouxsie and the Banshees

Published online: 13 December 2017
DOI: https://doi.org/10.18177/sym.2017.57.sr.11366
PDF: https://www.jstor.org/stable/26574462
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