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Volume 60, No. 2
Picking Up the Pieces after the Coronavirus Disruption and Black Lives Matter
Lisa A. Urkevich, General Editor
September 20, 2020
DOI
https://doi.org/10.18177/sym.2020.60.sr.11502
PDF
https://www.jstor.org/stable/pdf/26989790.pdf
Songwriting in Modern Band?: Considering Constructivism as an Approach for Teaching Popular Music
Jonathan Kladder
September 20, 2020
DOI
https://doi.org/10.18177/sym.2020.60.sr.11498
PDF
https://www.jstor.org/stable/26989791
From Incubation to Delivery: An Application of Project Management for the Music Industry
Stan Renard
September 20, 2020
DOI
https://doi.org/10.18177/sym.2020.60.sr.11497
PDF
https://www.jstor.org/stable/26989792
Early Music Matters: Revitalizing the Survey through a Contextual Approach
1
Jane Hatter
September 20, 2020
DOI
https://doi.org/10.18177/sym.2020.60.sr.11496
PDF
https://www.jstor.org/stable/26989793
Space, Time, and Memory: Examining the Disconnect between Looking at Contemporary Art and Listening to Contemporary Music
Jeffrey Izzo
September 20, 2020
DOI
https://doi.org/10.18177/sym.2020.60.sr.11495
PDF
https://www.jstor.org/stable/26989794
Improving intonation using the Singscope iOS app
Jenine Brown
September 20, 2020
DOI
https://doi.org/10.18177/sym.2020.60.rev.11494
PDF
https://www.jstor.org/stable/26989795
Flat: Online collaborative music notation software
Fred Kersten
September 20, 2020
DOI
https://doi.org/10.18177/sym.2020.60.rev.11493
PDF
https://www.jstor.org/stable/26989796
ROLI Lightpad Block M Studio Edition. Part 2: Software
Charles Paul Menoche
September 20, 2020
DOI
https://doi.org/10.18177/sym.2020.60.rev.11492
PDF
https://www.jstor.org/stable/26989797
Culture, Music Education, and the Chinese Dream in Mainland China, by Wai-Chung Ho
Erica Rumbley
September 20, 2020
DOI
https://doi.org/10.18177/sym.2020.60.rev.11491
PDF
https://www.jstor.org/stable/26989798
Summertime: George Gershwin’s Life in Music, by Richard Crawford
Caleb T. Boyd
September 20, 2020
DOI
https://doi.org/10.18177/sym.2020.60.rev.11490
PDF
https://www.jstor.org/stable/26989799
Beethoven: The Relentless Revolutionary, by John Clubbe
Jacob Clark
September 20, 2020
DOI
https://doi.org/10.18177/sym.2020.60.rev.11489
PDF
https://www.jstor.org/stable/26989800
In Mulieribus, Cycles of Eternity: Contemporary Works for Female Voices
Andrea Wells
September 20, 2020
DOI
https://doi.org/10.18177/sym.2020.60.rev.11488
PDF
https://www.jstor.org/stable/26989801
John Adams, Must the Devil Have All the Good Tunes?
Alexander Sanchez-Behar
September 20, 2020
DOI
https://doi.org/10.18177/sym.2020.60.rev.11487
PDF
https://www.jstor.org/stable/26989802
Romina Di Gasbarro, Risorgimento
Nadia Younan
September 20, 2020
DOI
https://doi.org/10.18177/sym.2020.60.rev.11486
PDF
https://www.jstor.org/stable/26989803
Pola Baytelman, Isaac Albéniz’s
Iberia
: A Musical Journey Through Spain
Paul Sanchez
September 20, 2020
DOI
https://doi.org/10.18177/sym.2020.60.rev.11485
PDF
https://www.jstor.org/stable/26989804
Tom Weeks, Alto Saxophone Improvisations
Kyle Hutchins
September 20, 2020
DOI
https://doi.org/10.18177/sym.2020.60.rev.11484
PDF
https://www.jstor.org/stable/26989805
7 Movements for Solo Violin by Howard Bashaw, Performance by Guillaume Tardif at the 2017 College Music Society International Conference
Dan Auerbach
September 20, 2020
DOI
https://doi.org/10.18177/sym.2020.60.sr.11499
PDF
https://www.jstor.org/stable/26989806
12 by Howard Bashaw, Performance by Guillaume Tardif and Roger Admiral at the Music Conference Alberta, 2018
Luis Fernandez
September 20, 2020
DOI
https://doi.org/10.18177/sym.2020.60.sr.11500
PDF
https://www.jstor.org/stable/26989807
A Composer’s Life Not Lived
Sunny Knable
September 20, 2020
DOI
https://doi.org/10.18177/sym.2020.60.fr.11483
PDF
https://www.jstor.org/stable/26989808
Maximizing Student Outcomes During a Period of Disruption: Insights from a Music Technologist
Teresa Marrin Nakra
September 20, 2020
DOI
https://doi.org/10.18177/sym.2020.60.fr.11501
PDF
https://www.jstor.org/stable/26989809
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