Volume 60, No. 2 - College Music Symposium

Volume 60, No. 2

Preface

Picking Up the Pieces after the Coronavirus Disruption and Black Lives Matter

Articles

Songwriting in Modern Band?: Considering Constructivism as an Approach for Teaching Popular Music

From Incubation to Delivery: An Application of Project Management for the Music Industry

Early Music Matters: Revitalizing the Survey through a Contextual Approach¹

Space, Time, and Memory: Examining the Disconnect between Looking at Contemporary Art and Listening to Contemporary Music

Technology and Online Resource Reviews

Improving intonation using the Singscope iOS app

Flat: Online collaborative music notation software

ROLI Lightpad Block M Studio Edition. Part 2: Software

Book Reviews

Culture, Music Education, and the Chinese Dream in Mainland China, by Wai-Chung Ho

Summertime: George Gershwin’s Life in Music, by Richard Crawford

Beethoven: The Relentless Revolutionary, by John Clubbe

Audio Performance Reviews

In Mulieribus, Cycles of Eternity: Contemporary Works for Female Voices

John Adams, Must the Devil Have All the Good Tunes?

Romina Di Gasbarro, Risorgimento

Pola Baytelman, Isaac Albéniz’s Iberia: A Musical Journey Through Spain

Tom Weeks, Alto Saxophone Improvisations

Performance, Lectures, Lecture-Recital Reviews and Transcripts

7 Movements for Solo Violin by Howard Bashaw, Performance by Guillaume Tardif at the 2017 College Music Society International Conference

12 by Howard Bashaw, Performance by Guillaume Tardif and Roger Admiral at the Music Conference Alberta, 2018

Forums

A Composer’s Life Not Lived

Maximizing Student Outcomes During a Period of Disruption: Insights from a Music Technologist

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