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Interpreting Chaos: The Paradigm of Chaotics and New Critical Theory
October 3, 2005
PDF
https://www.jstor.org/stable/40374519
Shape/Interval Contours and Their Ordered Transformations: A Motivic Approach to Twentieth-Century Music Analysis and Aural Skills
October 3, 2005
PDF
https://www.jstor.org/stable/40374520
Carter's New Classicism
October 1, 1989
PDF
https://www.jstor.org/stable/40373953
Order and Freedom: The Composer's Dilemma
October 1, 1984
PDF
https://www.jstor.org/stable/40373746
Origins of Brahms's Structural Control
October 1, 1981
PDF
https://www.jstor.org/stable/40375155
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