College Music Symposium College Music Symposium College Music Symposium

Dis-moi, Daphénéo… Erik Satie’s Path to Modernism

October 1, 2011

  • DOI http://dx.doi.org/10.18177/sym.2011.51.sr.8
  • PDF https://www.jstor.org/stable/26513070

A Reevaluation of Isorhythm in the "Old Corpus" of the Montpellier Codex

October 1, 2011

  • DOI http://dx.doi.org/10.18177/sym.2011.51.sr.13
  • PDF https://www.jstor.org/stable/26513066

An Interview with Thomas A. Brantigan: Beta Blockers and Musicians – A Thirty-Year Retrospective

October 1, 2011

  • DOI http://dx.doi.org/10.18177/sym.2011.51.sr.766
  • PDF https://www.jstor.org/stable/26513058

Paul Hindemith's Philosophy of Music and the Role of The Four Temperaments

October 1, 2011

  • DOI http://dx.doi.org/10.18177/sym.2011.51.sr.12
  • PDF https://www.jstor.org/stable/26513067

Repetition without Repetition: Bernsteinian Perspectives on Motor Learning for Musicians

October 1, 2011

  • DOI http://dx.doi.org/10.18177/sym.2011.51.sr.11
  • PDF https://www.jstor.org/stable/26513068
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