Volume 61, No. 1 - College Music Symposium

Volume 61, No. 1

Lisa Urkevich, General Editor

PDFs available on JSTOR

Volume 61.1 Front Matter

Foreword

Celebrating 60 Years of the Symposium (1961-2021): Learning from our Past

Preface

Preface: New Perspectives and Scholarship

Articles

Florentín Giménez’s Misa folclórica paraguaya: A Liturgical Celebration through the Lens of Musical Nationalism

Erlkönig: Goethe, Schubert, and Resurrecting the Son

Non-Music Major Participation in College and University Ensembles

Understanding the Work and Perspectives of Music Faculty through Positive Leadership¹

Creative Efficacy Toolbox: Introducing a Professional Development Model for Creatives

Forums

Black Music Matters

A Case for Hiring Mischief Makers

Faculty Job Qualifications vs DMA Curricula. Part I of Equipping DMA Candidates to Win Tenure-Track Jobs

Modifying DMA Curricula and Advising Part II of Equipping DMA Candidates to Win Tenure-Track Jobs

Performances, Lectures, Lecture-Recitals, Training

Harlem (1950) by “Duke” Ellington, orchestrated by Luther Henderson and Maurice Peress. Performed by the Kennesaw State University (KSU) Jazz Ensemble 1 (Sam Skelton, Director) and KSU Symphony Orchestra (Nathaniel F. Parker, Director and Conductor)

Mozart Piano Concerto No. 17 in G major, KV. 453; Chopin Andante Spianato et Grand Polonaise Brillante, Op. 22; Prokofiev Sonata No. 4 Op.29. Performed by pianist Yun Ji Kwak

Technology and Online Resource Reviews

The Potential for Sight-Singing Evaluation with SoundCheck

BandLab: A Free Cloud-based Digital Audio Workstation (DAW) for Music Production

Connect in an Innovative and Meaningful Way with Students Using JamKazam

Audio Performance Reviews

The Silence Between: Music for Piano. 2019. Kris Carlisle, pianist

The Secret Between the Shadow and the Soul. 2019. Branford Marsalis Quartet

Wax and Wire. 2019. Latitude 49

Live from the Cullen: Sasha Cooke and Kirill Kuzmin. 2021

Book Reviews

Performing Knowledge: Twentieth-Century Music in Analysis and Performance, by Daphne Leong

Wagnerism: Art and Politics in the Shadow of Music, by Alex Ross

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