Volume 63, No.1 - College Music Symposium

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College Music Symposium

Volume 63, No.1

Lisa Urkevich, General Editor

“Shot Into the Air Like a Rocket”: Climax in the Lieder of Alma Mahler

Rachel E. Scott May 1, 2023

Issue Volume 63, No.1
DOI https://doi.org/10.18177/sym.2023.63.sr.11580

Multi-Linear Continuity and "Songs to the Dark Virgin" by Florence Price [1888-1953]

Michael Lively May 1, 2023

Issue Volume 63, No.1
DOI https://doi.org/10.18177/sym.2023.63.sr.11581

Remixing Western Music History

Katherine Walker May 1, 2023

Issue Volume 63, No.1
DOI https://doi.org/10.18177/sym.2023.63.sr.11596

A Brief Guide for the Appointment of Visionary Music School Deans and Chairs

Robert S. Freeman May 1, 2023

Issue Volume 63, No.1
DOI https://doi.org/10.18177/sym.2023.63.fr.11582

Enrollment Growth Amid a Shrinking Student Population

Gerald Klickstein May 1, 2023

Issue Volume 63, No.1
DOI https://doi.org/10.18177/sym.2023.63.fr.11586

Supporting Music Students by Addressing Food Insecurity: Another Avenue for Inclusivity

Kimberly Goddard Loeffert May 1, 2023

Issue Volume 63, No.1
DOI https://doi.org/10.18177/sym.2023.63.fr.11583

Diversity: Start With Repertoire

Angela Miller-Niles May 1, 2023

Issue Volume 63, No.1
DOI https://doi.org/10.18177/sym.2023.63.fr.11585

Free Online Music Composition Software: Lessons in Student Ingenuity

Adam Booher May 1, 2023

Issue Volume 63, No.1
DOI https://doi.org/10.18177/sym.2023.63.fr.11584

Ethiopia's Shadow in America (1932) composed by Florence B. Price. Kennesaw State University Symphony Orchestra. Feb. 15, 2022, Bailey Performance Center, Morgan Concert Hall, Kennesaw, GA Review by Geoffrey Loff

Nathaniel F. Parker May 1, 2023

Issue Volume 63, No.1
DOI https://doi.org/10.18177/sym.2023.63.pll.11584

Review: Ethiopia's Shadow in America (1932) composed by Florence B. Price. Kennesaw State University Symphony Orchestra. Feb. 15, 2022, Bailey Performance Center, Morgan Concert Hall, Kennesaw, GA Review by Geoffrey Loff

Geoffrey Loff May 1, 2023

Issue Volume 63, No.1
DOI https://doi.org/10.18177/sym.2023.63.pll.11594

Embodied Visions: Performance & Pedagogical Considerations for Prokofiev’s Visions Fugitives, Opus 22. Jessie Welsh speaker and piano.

Jessie Welsh May 1, 2023

Issue Volume 63, No.1
DOI https://doi.org/10.18177/sym.2023.63.pll.11597

Review: Embodied Visions: Performance & Pedagogical Considerations for Prokofiev’s Visions Fugitives, Opus 22. Jessie Welsh speaker and piano.

Kristin Ditlow May 1, 2023

Issue Volume 63, No.1
DOI https://doi.org/10.18177/sym.2023.63.pll.11593

Minecraft Education Edition: A Multi-Platform Musical World Building Game

Gena R. Greher May 1, 2023

Issue Volume 63, No.1
DOI https://doi.org/10.18177/sym.2023.63.rev.11587

The Guitar Strummer Preset Within the Logic Pro X Scripter Plugin: Making MIDI Guitar Sound Real

Drew X Coles May 1, 2023

Issue Volume 63, No.1
DOI https://doi.org/10.18177/sym.2023.63.rev.11588

The Six “E”s of Getting the Most Out of Canvas for Applied Music Instructors

Chee Hyeon Choi May 1, 2023

Issue Volume 63, No.1
DOI https://doi.org/10.18177/sym.2023.63.rev.11589

Women and Musical Salons in the Enlightenment, by Rebecca Cypess (Chicago: University of Chicago Press, 2022)

Christina L. Reitz May 1, 2023

Issue Volume 63, No.1
DOI https://doi.org/10.18177/sym.2023.63.rev.11590

The Folk: Music, Modernity, and the Political Imagination, by Ross Cole (University of California Press, 2021)

Heather Strohschein May 1, 2023

Issue Volume 63, No.1
DOI https://doi.org/10.18177/sym.2023.63.rev.11591

Pierre Boulez. Music Lessons: The Collège de France Lectures. Ed. and trans. Jonathan Dunsby, et al (Chicago: University of Chicago Press, 2019)

Paul Doornbusch May 1, 2023

Issue Volume 63, No.1
DOI https://doi.org/10.18177/sym.2023.63.rev.11592

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