[i]Gamelan Gong Kebyar: The Art of Twentieth-Century Balinese Music[/i], by Michael Tenzer

01 October 2002 and most likely will greatly aid the average reader in following Tenzer's more abstract analytical discourses. authors: Andrew McGraw author_ids: 934 authors: Andrew McGraw author_ids: 934

Integration, Diversity, and Creativity in Current Music Theory Pedagogy Research

01 January 2016 The Manifesto presents a number of claims about the current teaching practices of music theory and aural skills faculty across the country. In pursuit of a greater understanding of the current pedagogical practices in music theory as reflected by...

Poking the Pillars: A Preliminary Evaluation of Integration, Diversity, and Creativity

01 January 2016 An earlier version of this article was presented as part of the special session, "Integration, Diversity, and Creativity: Reflections on the 'Manifesto' from The College Music Society," at the Society for Music Theory annual meeting, St. Louis, October...

Americans on American Music

01 October 1968 Americans have been writing about the history of music, and about the history of American music, for almost a hundred years. As we approach the centenary we might well ask ourselves such questions as these: How have American music historians regarded...