Tradition and Creation: Hugo Wolf's "Fussreise"

01 October 1988 Tradition and Creation: Hugo Wolf's "Fussreise" Written by Christopher Hatch Symposium Volume 28 In a letter of 21 March 1888, Hugo Wolf spoke boastfully about his latest composition: "I retract the opinion that 'Erstes Liebeslied eines Mädchens' is my...

Internal and External References in Beethoven's Fourth Symphony

01 October 1984 precedent for the Finale's cadential formula in the Fourth Symphony's first movement, measures 139-41. authors: Christopher Hatch author_ids: 410 authors: Christopher Hatch author_ids: 410

Defending Music Theory in a Multicultural Curriculum

02 October 2006 Defending Music Theory in a Multicultural Curriculum1 Music theory has served as the foundation for undergraduate music curricula in the United States for much of the past century. Within many music departments, it has been used to introduce students...

Schoenberg's Theoretical Writings after the Harmonielehre: A Study of the Published and Unpublished Manuscripts

01 October 1993 Kant," Music and Civilization: Essays in Honor of Paul Henry Lang, ed. Edmond Strainchamps and Maria Maniates, with Christopher Hatch (New York: W. W. Norton and Co, 1984), 394-427; Charlotte M. Cross, "Three Levels of 'Idea' in Schoenberg's Thought and...

Schenker's Parallelisms, Schoenberg's Motive, and Referential Motives: Notes on Pluralistic Analysis

01 October 2001 and Motiv in "Schoenberg and Goethe: Organicism and Analysis," in Music Theory and the Exploration of the Past, eds. Christopher Hatch and David W. Bernstein (Chicago: The University of Chicago Press, 1993), 416-418. 15Schenker, Harmony, 13. 16Arnold...