Music Curricula in the '70's

01 October 1971 1970's. Chairman of the panel was William J. Mitchell. The other panelists were Charles Hamm, Mantle Hood, James Haar, Claude V. Palisca, and Robert J. Werner. Abstracts of the papers they presentedas well as Mitchell's introductory remarkswere also...

And Now We Begin—A Survey of Recent Theory Texts

01 October 1973 The 1960s were a time for reexamination of the aims, contents and methods of college courses designed to teach music theory, and, as a corollary, of the texts intended for those courses. Several factors contributed to the creation of a "crisis in the...

Emergent Dissonance and the Resolution of a Paradox

01 October 1996 Press, 1977), 64-65. 8G. Zarlino, The Art of Counterpoint, Book III of Istitutioni harmoniche, trans. Guy A. Marco and Claude V. Palisca (New Haven: Yale University Press, 1968), 53. 9(Pseudo) Aristotle, Problems, Vol. I, trans. W. S. Hett (Cambridge:...

Teaching Seventeenth-Century Concepts of Musical Form and Expression: An Aspect of Baroque Music

01 October 1987 to divide the twentieth century into two periods. 3Donald Jay Grout, A History of Western Music, 3rd ed., with Claude V. Palisca (New York: Norton, 1980), 298-99. 4Carol MacClintock, Readings in the History of Music in Performance (Bloomington: Indiana...

Is It Possible to Sing the Prologue to Orlando di Lasso’s [i]Prophetiae Sibyllarum[/i] in Tune?

05 June 2013 Ann Arbor, MI: UMI Research Press, 1985. Zarlino, Gioseffo. On the Art of Counterpoint. Translated by Guy A. Marco and Claude V. Palisca. New Haven, CT: Yale University Press, 1968. Zweifel, Paul F. “Just Tuning and the Unavoidable Discrepancies.”...

Celebrating 60 Years of the [i]Symposium[/i] (1961-2021): Learning from our Past

01 May 2021 H. Wiley Hitchcock, Ruth Stone, Stephen Blum, David Schulenberg, Vincent Duckles, Susan C. Cook, Clifford Madsen, Claude V. Palisca, William Ennis Thomson, Timothy Rice, Neal Zaslaw, James R. Briscoe, John Daverio…and the list of luminaries goes on and...

Music Teacher Education As Victory Garden

01 October 2009 Music teacher education programs reflect three different academic traditions: the conservatory, the normal school, and the liberal arts college or university. Gradually emerging over a 150-year span, four-year programs of preparation required for...

Music Historiography in the Classroom

01 October 1979 of musicology exist in quantity, but many of these make little or no reference to music history texts or courses. Claude V. Palisca, in the Princeton volume on Musicology (Englewood Cliffs, N.J.: Prentice-Hall, 1963), quickly surveys general histories...

Music and Higher Education in the 1970's: A Needed Change in Attitude

01 October 1971 in the 1970's. Chairman of the panel was William J. Mitchell. The other panelists were Mantle Hood, James Haar, Claude V. Palisca, Robert J. Werner, and Neal Zaslaw. Abstracts of the papers they presentedas well as Mitchell's introductory remarkswere...

"So You Want to Write a Canon?" An Historically-Informed New Approach for the Modern Theory Class

01 October 2008 The Art of Counterpoint. Part III of Le istitutioni harmoniche, 1558. Edited and translated by Guy A. Marco and Claude V. Palisca. New York: Norton, 1968. Footnotes 1School of Music, The University of Queensland, Brisbane, Australia. An earlier version...

Musical Literacy in the 1970's

01 October 1971 in the 1970's. Chairman of the panel was William J. Mitchell. The other panelists were Charles Hamm, James Haar, Claude V. Palisca, Robert J. Werner, and Neal Zaslaw. Abstracts of the papers they presentedas well as Mitchell's introductory remarkswere...

The Ph.D. in Music: An Affirmation of Traditional Values

01 October 1971 in the 1970's. Chairman of the panel was William J. Mitchell. The other panelists were Charles Hamm, Mantle Hood, Claude V. Palisca, Robert J. Werner, and Neal Zaslaw. Abstracts of the papers they presentedas well as Mitchell's introductory remarkswere...

Graduate Education of the Musician-Teacher

01 October 1971 1970's. Chairman of the panel was William J. Mitchell. The other panelists were Charles Hamm, Mantle Hood, James Haar, Claude V. Palisca, and Neal Zaslaw. Abstracts of the papers they presentedas well as Mitchell's introductory remarkswere also included...

Music and Higher Education in the 1970's

01 October 1971 7, 1970 entitled Music and Higher Education in the 1970's. The panelists were Charles Hamm, Mantle Hood, James Haar, Claude V. Palisca, Robert J. Werner, and Neal Zaslaw. Abstracts of the papers they presented were also included in Symposium Volume 11....