[i]The Berg-Schoenberg Correspondence: Selected Letters[/i], edited by Juliane Brand, Christopher Hailey, and Donald Harris

01 October 1988 unbedingt festzuhalten ist"; the reviewer's source for Berg's open letter had simply omitted that phrase! authors: Claudio Spies author_ids: 1185 authors: Claudio Spies author_ids: 1185

A "Requiem for the Requiem": On Stravinsky's Requiem Canticles

01 October 1993 the extensive and valuable studies of pitch patterning and related technical matters by van den Toorn, Arthur Berger, Claudio Spies, Milton Babbitt and others, very little work on this aspect of late Stravinsky has been attempted; a notable exception is...

A Brief History of Composers' Groups in the United States

01 October 1980 the American Society of University Composers. Founded in 1965 by Benjamin Boretz, Donald Martino, James Randall, Claudio Spies, Henry Weinberg, Peter Westergaard, and Charles Wuorinen, the group got off to a very stormy start. By the time of its second...

The Distant Shore Seen from Two Sides

01 October 1984 of the reason for this is the lesser divergence of styles (in America by contrast, to take a random example, what would Claudio Spies and Robert Ashley have to talk about?). It is also a legacy of the last war, a determination not to "rock the boat"...

Schoenberg's Theoretical Writings after the Harmonielehre: A Study of the Published and Unpublished Manuscripts

01 October 1993 214-249] 1925 "Zu Darstellung des Gedankens" (On Presentation of the Idea) [Mus 104a/b] 1934 "Vortrag/12TK/Princeton" Claudio Spies, "Vortrag/12TK/Princeton," Perspectives of New Music 13/1 (1974): 58-136 1941/48 "Composition With Twelve Tones" [SI,...