Assuming david is required, and crawford is required, the following 18 results were found.
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A Theory of Pitch-Class-Set Extension in Atonal Music
Over years of teaching pitch-class-set theory and analysis as part of undergraduate twentieth-century theory courses, I have often reflected (and heard perceptive students remark) on an apparent shortcoming of the system. At that stage of their...
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The Symbiosis of Teaching and Research: A Forum
J. Peter Burkholder, with H. Wiley Hitchcock, Brooklyn College, City University of New York; Susan McClary, University of California, Los Angeles; Kay Kaufman Shelemay, Harvard University Introduction J. Peter Burkholder At the November 2003 annual...
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Remixing Western Music History
Abstract The problem faced by music historians of how (or whether) to impart reverence for music created through the institutions of imperialism, patriarchy, colonialism, and slavery is not a new one; nevertheless, as decolonizing initiatives take hold...
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Feminist Scholarship and the Field of Musicology: I
Feminist Scholarship and the Field of Musicology: I1 In a study entitled Feminist Scholarship: Kindling in the Groves of Academe, five authors surveyed recent scholarship in the fields of anthropology, education, history, literature, and philosophy in...
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Performance and the Laborde Chansonnier: Authenticity of Multiplicities—Musica Ficta
This paper was part of a panel entitled "Performance and the Laborde Chansonnier: Authenticity of Multiplicities" which was presented for The College Music Society at Baldwin-Wallace College, November 8, 1969. The moderator was Robert Austin Warner....
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The Indian Music Debate and "American" Music in the Progressive Era
A little over a hundred years ago, composers and music critics in the United States launched a debate about the viability of an idiomatically American music and whether its roots could be found in folk music. One of the roots under discussion was music...
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More Than A Drummer Boy's War: A Historical View of Musicians in the American Civil War
Introduction Although making music and making war may seem incompatible, the two endeavors have been inextricably linked throughout recorded history. There is, perhaps, no better example of this powerful pairing than the American Civil War, often...
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Since its publication in the eighteenth century The Poems of Ossian has been shrouded in controversy, resulting in an overshadowing of its influence on music. Most who encounter literature that mentions The Poems of Ossian will be dissuaded from...
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Music in Medieval Medical Practice: Speculations and Certainties
In its most cherished formative texts, both sacred and secular, the medieval world encountered the notion that music had measurable therapeutic value. From the story of David and Saul, perhaps the oldest account of applied music therapy that we...
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As The College Music Society reaches its fiftieth anniversary, it is fitting that we look back on developments in college music teaching over its first fifty years. In the teaching of music history, I see five major areas of change during that time:...
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Finding Friction: Collective Intelligence in the Age of Infinite Generation
Editor’s note: This essay is based on the author’s talk at the CMS Think-Tank Summit—Ideas into Action: Reimagining Music Schools for 2026 and Beyond at the Moores School of Music, University of Houston on January 16-18, 2026. Proceedings of the Summit...
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College, November 8, 1969. The moderator was Robert Austin Warner. The other panelists were Gwynn S. McPeek, David Crawford, and Edith Borroff. Their papers also appear in SYMPOSIUM Volume 10. By and large, there is little difference between the...
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The Woman in the Music (On Feminism as Theory and Practice)
The Woman in the Music 1 (On Feminism as Theory and Practice) At night in any kind of light, in twilight, candlelight, lamplight, and worst of all by moonlight, it becomes bars! The outside pattern, I mean, and the woman behind it is as plain as can...
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Dynamics in Early American Psalmody
The difficulties that today's performers experience with dynamics when performing American psalm tunes, fuging tunes, and anthems from the late eighteenth and early nineteenth centuries appear to fall into three categories: the lack of any dynamic...
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Oral History in Music: A Practical Guide
In a recent article for this journal Barry S. Brook discussed the function of oral history in musical research, its special advantages to historians, and the distinctions between oral and written documents.1 Oral history, he noted, provides "the...
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A Brief History of Composers' Groups in the United States
From a hasty perusal of this year's CMS program (1979), I can only conclude that there are but few of us reckless generalists still about, ready to cover the entire history of a country's musical activity, or at least one part of it, in something like...
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Society at Baldwin-Wallace College, November 8, 1969. The moderator was Robert Austin Warner. The other panelists were David Crawford, Edith Borroff, and John W. Grubbs. Their papers also appear in SYMPOSIUM Volume 10. At the outset we should explain...
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Performance and the Laborde Chansonnier: Authenticity of Multiplicities—The Medium
College, November 8, 1969. The moderator was Robert Austin Warner. The other panelists were Gwynn S. McPeek, David Crawford, and John W. Grubbs. Their papers also appear in SYMPOSIUM Volume 10. No matter how useful knowledge of the ideal performing...
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