Source Music, Background Music, Fantasy and Reality in Early Sound Film

01 October 1997 music is unknown. I am grateful to John Waxman for permitting me to examine documents in his possession. authors: David Neumeyer author_ids: 990 authors: David Neumeyer author_ids: 990

Defending Music Theory in a Multicultural Curriculum

02 October 2006 Joseph, and Gary Tomlinson. Listen, 5th ed. New York and Boston: Bedford/St. Martins, 2003. Littlefield, Richard, and David Neumeyer. "Rewriting Schenker: Narrative—History—Ideology." Music Theory Spectrum 14 (1992): 38-65. Marcus, George E., and...

[i]Idea[/i] and Analysis: Aspects of Unification in Musical Explanation

01 October 1990 indicated by uppercase letter only. 154 is the diatonic reinterpretation of the enharmonically notated 4. According to David Neumeyer, it is this pitch which begins the structural 3-line descent, in counterpoint with the ascending - inner voice of a...

Analysis for Performance: Teaching a Method for Practical Application

02 October 2006 One of the more difficult tasks facing the college music theory teacher is linking analysis with performance. Too often students do not understand the connection between the analytical techniques they learn in theory classes and the decisions they make...

Other New Titles: Dictionaries, Film Music Guides, and Multi-Author Collections

01 October 2001 Cinema. James Buhler, ed. ISBN: 0-8195-6410-9 Music and Cinema. Caryl Flinn, ed. ISBN: 0-8195-6410-9 Music and Cinema. David Neumeyer, ed. ISBN: 0-8195-6411-7 Mediaeval Music Cultures of the Adriatic Region. Stanislav Tuksar, ed. ISBN: 953-6090-10-4 The...

Paul Hindemith's Philosophy of Music and the Role of [i]The Four Temperaments[/i]

01 October 2011 of those sketches, Hindemith constructed a table listing the tonal pillar for each of its fifteen divisions, to which David Neumeyer previously has drawn attention.68 Table 3 identifies the tonal centers of the theme and each of the variations. Table 3....

And Now an Ideology from Our Sponsor: Musical Style and Semiosis in American Television Commercials

01 October 1997 in Lawrence Kramer's Classical Music and Postmodern Knowledge (Berkeley: University of California Press, 1995). 7David Neumeyer and Richard Littlefield, "Narrative Structure and Schenkerian Analysis," Music Theory Spectrum, 14/1 (1992), 39. 8Roman...

Bartok at the Crossroads: A Classical Sonatina from Five Rumanian Folk Dances

01 October 2003 Further discussion follows later in this paper. 8In Schenkerian terms, a rising fundamental line is problematic. David Neumeyer suggests that a complete rising line ------- does not exist, due to the needlessly long distance traveled to resolve lower...

The Popular Album as Song Cycle: Paul Simon's [i]Still Crazy After All These Years[/i]

01 October 1992 Parts," in Schumann, Dichterliebe, ed. Arthur Komar (New York: Norton, 1971), 63-94. Some other relevant works include David Neumeyer, "Organic Structure and the Song Cycle: Another Look at Schumann's Dichterliebe," Music Theory Spectrum 4 (1982):...

The Triumph of Timelessness Over Time in Hindemith's "Turandot Scherzo" from Symphonic Metamorphosis of Themes by Carl Maria von Weber

01 October 1996 proportional structure in Hindemith, although not treating Symphonic Metamorphosis specifically, see analyses in David Neumeyer, The Music of Paul Hindemith (New Haven: Yale University, 1986) and the same author's "Tonal, Formal, and Proportional Design...

The Woman in the Music (On Feminism as Theory and Practice)

01 October 2000 2, 1996, 167-199; and the review by Edward D. Latham in Music Theory Online 3.2 (1997). Also Richard Littlefield and David Neumeyer. "Rewriting Schenker : Narrative, History, Ideology"; and Marion A. Guck. "Analytical Fictions." Both reprinted in...