[i]The Concise Oxford History of Music[/i], by Gerald Abraham

01 October 1980 as a text. In spite of some flaws it belongs in every serious music literature collection, library or personal. authors: Dika Newlin author_ids: 1210 authors: Dika Newlin author_ids: 1210

[i]Choral Music: A Symposium[/i], edited by Arthur Jacobs

01 October 1964 interest is the contribution of Gerald Seaman dealing with "Slavonic Nationalism from Dvorak to the Soviets," as well as Dika Newlin's essay on "Four Revolutionaries" (Schoenberg, Stravinsky, Hindemith, Bartok), and Peter Pirie's "A Mixed Modern Group."...

Preface to a Graduate Course in the History of Music Theory

01 October 1982 As a doctoral degree certifies (among other things) to a breadth of knowledge in the field, one requirement for the Ph.D. in music theory should be a scholarly course surveying the history of theory. To decide on this requirement, however, is easier...

Women Composers: Reminiscence and History

01 October 1975 Scot Thea Musgrave (1928), the South African Priaulx Ranier (1905), the Italian Teresa Procaccini (c. 1930), and American Dika Newlin (1923), all of importance in shaping the future of music through educative as well as musical professional involvement....

Some Aspects of Organization in Schoenberg's Book of the Hanging Gardens, Opus 15

01 October 1979 of methodologies presented in The Structure of Atonal Music. 8See René Leibowitz, Schoenberg and His School, trans. by Dika Newlin (New York: The Philosophical Library, Inc., 1949), pp. 57-59. Schoenberg himself refers to a related technique of motivic...

Musical Pattern Perception

01 October 1979 Hearing: tonal coherence in music, 2 volumes. New York: Charles Boni, 1952. Schoenberg, Arnold. Style and Idea (edited by Dika Newlin). New York: Philosophical Library, 1950. Sessions, Roger. The Musical Experience of Composer, Performer, Listener....

[i]Idea[/i] and Analysis: Aspects of Unification in Musical Explanation

01 October 1990 Music Theory, Waco 1988; and the Hartt Theory Forum, Hartford 1990. 2Arnold Schoenberg, Style and Idea, ed. and trans. Dika Newlin (New York: Philosophical Library, 1950). Republished ed. Leonard Stein, trans. Leo Black (New York: St. Martin's Press,...

Schoenberg's Theoretical Writings after the Harmonielehre: A Study of the Published and Unpublished Manuscripts

01 October 1993 list is based on complete list of published works in this period in Josef Rufer, The Works of Arnold Schoenberg, trans. Dika Newlin (London: Faber, 1962), 176-77. 5The texts on counterpoint, instrumentation, and form appear in the unpublished...

Artistic Parallels between Arnold Schoenberg's Music and Painting (1908-1912)

01 October 1995 contains numerous cuts and changes in Schoenberg's hand. See Josef Rufer, The Works of Arnold Schoenberg, translated by Dika Newlin (London: Faber and Faber, 1962), p. 34. 19Schoenberg wrote this song after Kandinsky requested a vocal work for the...

[i]Pierrot lunaire[/i] at 95: Arnold Schoenberg’s Musical Hybrid and Twentieth-Century Vocal Chamber Music

01 October 2009 On October 16, 1912, at the Choralien Saal in Berlin, Arnold Schoenberg conducted the premier performance of one of the twentieth century’s most influential works of music. From its origin as a straightforward commission for a musical melodrama...