Sixteenth-Century Conception of Harmony

01 October 1979 Ant. Gogavino . . . (Venice: V. Valgrisium, 1562), p. 6. 8For a full discussion of Greek conceptions of harmony, see Edward A. Lippman, Musical Thought in Ancient Greece (New York: Columbia University Press, 1964), pp. 1-44. 9Problems 19. 38; quoted in...

Reading Schumann By Way of Jean Paul and His Contemporaries

01 October 1990 Reading Schumann By Way of Jean Paul and His Contemporaries1 "Of pieces for a mosaic I have indeed enough, and to spare." Jean Paul Richter, from "The Life of Maria Wuz, the Merry-Hearted Dominie of Auenthal" I Commenting on the reception of his Op. 2...

Schoenberg on the Modes: Characteristics, Substitutes, and Tonal Orientation

01 October 1993 This paper grows out of a dissertation entitled Problems of Tonality: Schoenberg and the Concept of Tonal Expression (Columbia University, 1989). The author wishes to acknowledge the support of the Social Sciences and Humanities Research Council of...

On the Structure of Ich folge dir

01 October 1965 held in Washington, D.C., December 28-30, 1964. The other participants were Arthur Mendel, Donald J. Grout, and Edward A. Lippman. Their articles also appear in SYMPOSIUM Volume 5. If, as I believe, structural analysis represents on the one hand...

Music, Myth and Man: A New Concept of Teaching Music Appreciation

01 October 1979 In the struggle to give the wishes of my heart artistic shape, . . . my studies thus bore me, through the legends of the Middle Ages, right down to their foundation in the old Germanic myths. . . . What here I saw was no longer the Figure of...

An Interpretation of Bach's "Ich folge dir gleichfalls"

01 October 1965 This article was originally part of a Round Table discussion entitled Four Approaches to the Understanding of a Single Musical WorkThe Aria "Ich folge dir gleichfalls" from the St. John Passion of J.S. Bach, which took place at the seventh annual...

Toward a Unified Theory of Music Esthetics for the College Music Curriculum

31 October 1995 Courses in music esthetics have been marginal to the college curriculum, possibly for two reasons: (1) The subject itself seems so amorphous that we are impatient in our search for key and all-embracing ideas that would fit into our standard course...

Historical Approach: No. 13, "Ich folge dir gleichfalls" from Bach Passion according to St. John

01 October 1965 Society held in Washington, D.C., December 28-30, 1964. The other participants were Arthur Mendel, Edward T. Cone, and Edward A. Lippman. Their articles also appear in SYMPOSIUM Volume 5. I suppose it is only fair that one who has been instrumental over...

Documentary Evidence Concerning the Aria "Ich folge dir gleichfalls" from Bach's St. John Passion

01 October 1965 held in Washington, D.C., December 28-30, 1964. The other participants were Donald J. Grout, Edward T. Cone, and Edward A. Lippman. Their articles also appear in SYMPOSIUM Volume 5. The earliest surviving sources for the St. John Passion consist of A. A...

[i]Current Musicology[/i], edited by Austin Clarkson

01 October 1965 topics as the trouve chanson and the philosophy of T.W. Adorno; here are featured established scholars such as Edward A. Lippman and Alfred Mann as well as writers whose names are new to the tables of contents of musicological magazines. There will...