Assuming eileen is required, and southern is required, the following 12 results were found.
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A Study in Jazz Historiography: [i]The New Grove Dictionary of Jazz[/i]
jazz (New York, 1978). 2Higginson, Army Life in a Black Regiment (Boston, 1870), 197. Reprint of selected passages in Eileen Southern, Readings in Black American Music, 2d ed. (New York, 1983). The quotation from Higginson is on p. 182. 3See further...
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Ruminations on the Center for Black Music Research
the blues, primarily, from the perspective of sociology and identity politics. Eight years later came the blockbuster—Eileen Southern’s The Music of Black Americans: A History (MOBA),10 the most complete and comprehensive musicological study of...
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Cultural Influences of Organ Music Composed by African American Women
would serve as the basis for great symphonic compositions that would be performed by accomplished black musicians.”6 “Eileen Southern has... identified as black nationalist composers such figures as Harry T. Burleigh, Clarence Cameron White, Robert...
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Needs for Research in Black-American Music
Creative Arts, Inc., Box 11049, Cambria Heights, New York 11411. 7Excerpts from three books are included in Eileen Southern, Readings in Black American Music (New York, 1971). 8The collection can be ordered from the Library and Museum of the Performing...
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“Experience is an Identity”: The Collegiate Marching Band and Expressions of Communal Identity
without the military. Black musicians in North America have been part of American military music from colonial times; Eileen Southern notes that at that time a typical assignment for a Black man in the militia was as a musician (Southern 1997, 64)....
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Wilfred C. Bain: A Reminiscence In Memoriam
Wilfred C. Bain: A Reminiscence In Memoriam Written by Ennis Williams Symposium Volume 38 Wilfred Bain died in Bloomington, Indiana, March 7, 1997. It is no exaggeration to say that he was the most influential music administrator in higher education in...
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The Global DJ Project and the Blank Canvas: World Music, Memory and Meaning
and commercial recording in the 20th century (Oliver, “Blues Research: Problems and Possibilities,” 377-390). Eileen Southern has spoken for the interaction of African-American and classical European music most comprehensively in her The Music of Black...
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Brooklyn College—American Musicological Society and Music Library Association Translations Center
American Musicological Society and Music Library Association Translations Center* A Translations Center for musicological studies and documents has been established as a joint enterprise of the American Musicological Society and the Music Library...
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“My Arkansas Boyhood,” in Fusion of Cultures, 14. 14Still, “A Composers Viewpoint,” in Fusion of Cultures, 73. 15Eileen Southern, “Conversation with William Grant Still interview with Still,” in The Black Perspective in Music, 171. 16Dieter A. Nanz, “A...
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Celebrating 60 Years of the [i]Symposium[/i] (1961-2021): Learning from our Past
courses and programs and degrees (Hamm 1971). The support for inclusivity appears throughout the journal’s offerings. Eileen Southern, the first African-American woman to gain tenure among Harvard’s Arts and Sciences faculty, in 1973 penned “Needs for...
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The Teacher's Guide to Recent Recordings of Music by Black Composers
of Ulysses Kay and George Walker. Persons seeking additional information on the music and the composers may consult Eileen Southern's The Music of Black Americans; A History (New York: W.W. Norton, 1971), my Black Music in Our Culture (Kent: Kent State...
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Music Education in Historical Perspective: Status, Non-Musicians, and the Role of Women
share identical experiences regarding the gender stereotyping of musicians and music educators. 21For statistics, see Eileen Southern, "A Partial Report on Black Women in College Music Teaching, in The Status of Women in College Music: Preliminary...
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