Assuming gunther is required, and schuller is required, the following 28 results were found.
-
against the "It's hopeless, we can't do anything" attitude. That's one of the reasons I am still optimistic. authors: Gunther Schuller author_ids: 1284 authors: Gunther Schuller author_ids: 1284
-
Third Stream and the Importance of the Ear—A Position Paper in Narrative Form
Gunther Schuller has defined third stream music as "the result of two tributaries—one from the stream of classical music and one from the stream of black music—that have recently flowed out towards each other in the space between the two, leaving the...
-
educational strategies for integrating Ellington's music into the classroom. Keynote speaker for the CMS symposium was Gunther Schuller, who co-authored the entry on Ellington in The New Grove Dictionary of American Music and wrote extensively about him...
-
a term sometimes used to describe the intersection of the jazz and classical traditions in music, was coined by Gunther Schuller in 1957 for a lecture at Brandeis University in Boston.17 Duke Ellington, for example, began exploring extended classical...
-
On Performance Education and Careers in Music
will have the opportunity to meet one of the few successful denizens of the worlds of teaching and performance: Gunther Schuller. Schuller will present the Robert C. Trotter Lecture for 2003. Schuller began his musical career at the age of 16, dropping...
-
Black, Brown, and Beige: One Piece of Duke Ellington's Musical and Social Legacy
"Beige" sounds less developed than the other two movements is because Ellington had run out of time to finish it. Gunther Schuller states, "There is no doubt that it [wasn't developed properly]. I know it because friends of mine were at the rehearsals...
-
The Duke Ellington Renaissance: A Review of Recent Books, Recordings, and Music Editions
His non-technical discussions contrast with the musical examples and technical analyses of Ellington's work that Gunther Schuller supplies in Early Jazz and The Swing Era. For maximum effect, Lambert and Schuller should be read simultaneously—though...
-
Towards Future Leadership in America’s Music Schools
the Eastman School, and the New England Conservatory.2The critical figures were two deans (Wilfred Bain at Indiana and Gunther Schuller at NEC), and several faculty members at Eastman (Jack End, Chuck Mangione, and Rayburn Wright). A most interesting...
-
The College Music Society: A Distinguished History, A Challenging Future
personal and family time. All this is certainly understandable, but I would like to recall some observations made by Gunther Schuller in his address at the CMS Twenty-fifth Anniversary Meeting when he commented on this situation, “Everybody thinks short...
-
Productivity Models for Applied Music Professors
at the Eastman School of Music, saw his 48 Etudes for French Horn8 published early in the last decade. In 1962, Gunther Schuller, President of the New England Conservatory, contributed his Studies for Unaccompanied Horn.9 Both treatises are having wide...
-
Questioning as an Analytical Tool: Viewing the Score through the Eyes of the Composer
can create a “road map” of decisions based on the focal points of the music throughout a rehearsal/performance. Gunther Schuller’s The Compleat Conductor (1997) and Erich Leinsdorf’s The Composer’s Advocate (1981) focus more on the moral and...
-
How the Flexibility of the Twelve-Bar Blues Has Helped Shape the Jazz Language
by the arranger Buck Clayton to create a variety of timbral color. The blues form is also used to help create what Gunther Schuller calls the Basie band's "larger than life sound and projection."13 As opposed to "Booze and Blues" in which the horn...
-
be relatively uncharted territory for some, particularly for those in the conservatoire sector. . . (2005, pp. 19, 21) Gunther Schuller spoke similarly at the dedication of the new School of Music building on the University of Minnesota campus in 1985:...
-
A Brief Guide for the Appointment of Visionary Music School Deans and Chairs
It was initially studied at Indiana University, the Eastman School of Music, and the New England Conservatory, where Gunther Schuller, ever an imaginative president, introduced a program he called “Third Stream,” a hybrid that resulted from the marriage...
-
that their efforts will make a difference. Or so we hope. In his keynote speech at the Annual Meeting in Miami, Gunther Schuller pulled no punches in declaring the place of serious music in American culture greatly diminished over the last fifty years....
-
Letter to the Editor from Gridley, Mark
showed serious interest in Coleman's music were Miles Davis, Sonny Rollins, Charles Mingus, John Coltrane, John Lewis, Gunther Schuller, and Leonard Bernstein. Harker, Jenkins, and Gioia Contend Cause-and-Effect Relations My article contained musician...
-
Celebrating 60 Years of the [i]Symposium[/i] (1961-2021): Learning from our Past
have been slow to realize this fact, in spite of the phenomenal effect of our popular music abroad (Mason 1961). Gunther Schuller’s 1983 oral address, published by Symposium, posed existential questions: “what are we actually doing, and why? Or worse...
-
Preface: New Perspectives and Scholarship
article on a frequently overlooked topic, “Non-Music Major Participation in College and University Ensembles.” À la Gunther Schuller in 1983 (see Forward to this issue, 61.1), the need to focus on educating future audiences and not just musicians is of...
-
[i]Leading Tones: Reflections on Music, Musicians, and the Industry[/i], by Leonard Slatkin
Max Rudolf), others have proselytized about the profession (e.g. Richard Wagner), and others blend the two types (e.g. Gunther Schuller and Erich Leinsdorf). Slatkin’s book is similar to an interview-style book featuring the reflections of conductor...
-
[i]American Composers: Alec Wilder[/i], by Philip Lambert
hundreds of art songs as well as dozens of solo instrument works that focused on what Wilder’s associate and publisher Gunther Schuller called the “underdog instruments” such as bassoon and oboe, tuba and trombone, saxophone, and horn. Uniquely, Wilder...
Copyright © The College Music Society. All Rights Reserved.
