[i]Turning Notes into Music[/i], by Hans Lampl

01 October 1997 and carries with it that sense of connection to a long and noble tradition. We couldn't ask for more. authors: Guy Urban author_ids: 965 authors: Guy Urban author_ids: 965

[i]The Art of Practicing: A Guide to Making Music From the Heart[/i], by Madeline Bruser; [i]To Hear Ourselves as Others Hear Us: Tape Recording as a Tool in Music Practicing and Teaching[/i], by James Boyk

01 October 1999 be problematic and precarious, while dogmatising in art amounts to absurdity (Hofmann, p. 33A). Amen to that. authors: Guy Urban author_ids: 965 authors: Guy Urban author_ids: 965

The Shock of the Familiar: Hearing Ourselves in Others' Voices

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01 October 1995 Frank Zappa might be described as a cultural guerilla. He sees that the popular arts are propagandistic in the broad sense—even when they masquerade as rebellion they lull us into fantasy and homogenize our responses. So he infiltrates the machine and...

Jeff Beck: The Quintessential Postmodern Virtuoso Meets Baudrillard’s Racing Driver and his Double

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A Study in Jazz Historiography: [i]The New Grove Dictionary of Jazz[/i]

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The Ethnomusicology of Music Learning and Teaching

01 October 2003 Ethnomusicology, for at least the last forty years, has been primarily an idiographic discipline. That is, ethnomusicologists' research has focused on the description of particular music systems and music cultures at the expense of either nomothetic...