James R. Briscoe
Assuming james is required, and r is required, and briscoe is required, the following 13 results were found.
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Remixing Western Music History
Parakilas, “Texts, Contexts, and Non-Texts in Music History Pedagogy,” in Vitalizing Music History Teaching, ed. James R. Briscoe (Hillsdale: Pendragon Press, 2010), 45–58. Introduced into the lexicon of music criticism in the late eighteenth century,...
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Women, Women's Studies, Music and Musicology: Issues of Pedagogy and Scholarship
Ruth Solie, although she did not take part once she secured its place on the conference program. The three panelists, James R. Briscoe, Elizabeth Wood, and Susan McClary, and the chair, Susan C. Cook, all have published in a musicological subfield of...
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Integrating Music by Women into the Music History Sequence
No. 27 (July 1960). 7I gratefully acknowledge her permission, by letter, to cite the fourth movement. authors: James R. Briscoe author_ids: 573 authors: James R. Briscoe author_ids: 573
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une langue d'accentuation quand elle est au contraire une langue nuancée. (Je sais . . . vous êtes allemand.) authors: James R. Briscoe author_ids: 573 authors: James R. Briscoe author_ids: 573
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A Report from the First National Congress on Women in Music
courses about women in music at various institutions of higher education: Carol Neuls-Bates, Brooklyn College, CUNY; James R. Briscoe, Butler University; Joan Herrenkohl, Diablo Valley College; and Nancy Vedder-Shults, University of Wisconsin at...
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the Western piano. Bibliography Abravanel, Claude. "Symbolism and Performance." In Debussy in Performance, edited by James R. Briscoe, 28‒44. New Haven: Yale University Press, 1999. Becker, Judith. Traditional Music in Modern Java. Honolulu: The...
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163-171. A piano reduction of the second movement of Still’s Africa (1930) appears in Auner’s collection. See also James R. Briscoe, Contemporary Anthology of Music by Women. Tania Leon, Undine Smith Moore, and Mary Lou Williams are included in...
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Preface to a Graduate Course in the History of Music Theory
As a doctoral degree certifies (among other things) to a breadth of knowledge in the field, one requirement for the Ph.D. in music theory should be a scholarly course surveying the history of theory. To decide on this requirement, however, is easier...
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Women and Music: A History, edited by Karin Pendle
with an emphasis on art music in Europe and the Americas" (p. ix). It is designed to be used in conjunction with James R. Briscoe's Historical Anthology of Music by Women, a volume of scores with accompanying tapes, also issued by Indiana University...
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Rereading Absence: Women in Medieval and Renaissance Music
1Two anthologies of music by women composers include multiple selections by medieval and Renaissance women: James R. Briscoe, ed., Historical Anthology of Music by Women (Bloomington: Indiana University Press, 1987); and Martha Furman Schleifer and...
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Composers' Revisions and the Creative Process
Press, 1989), 4. 18See François Lesure, Catalogue de l'oeuvre de Claude Debussy (Geneva: Minkoff, 1977), 126-27 and James R. Briscoe, Claude Debussy: A Guide to Research (N.Y.: Garland, 1990), 31-2. 19See Jacques Durand ed., Lettres de Claude Debussy à...
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Early Music Matters: Revitalizing the Survey through a Contextual Approach[sup]1[/sup]
“Teaching Others, Others Teaching, or Music History Like it Mattered.” In Vitalizing Music History Teaching, edited by James R. Briscoe, 105–24. Hillsdale, NY: Pendragon Press, 2010. Kajikawa, Loren. “The Possessive Investment in Classical Music:...
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Celebrating 60 Years of the [i]Symposium[/i] (1961-2021): Learning from our Past
Vincent Duckles, Susan C. Cook, Clifford Madsen, Claude V. Palisca, William Ennis Thomson, Timothy Rice, Neal Zaslaw, James R. Briscoe, John Daverio…and the list of luminaries goes on and on. The quality of our authors and the many stellar articles...