Not Without a Grievance: Thomas Wentworth Higginson, the Suffrage Movement, and the Reception of Fanny Mendelssohn Hensel

01 October 2024 Abstract In an 1882 article in the American suffrage newspaper, The Woman’s Journal, Thomas Wentworth Higginson expressed outrage that the Mendelssohn family had discouraged Fanny Hensel from composing and that her music had been published under Felix...

The Decline of Serialism and the New Romanticism: Control and Chance in the New Music

01 October 1979 1967), p. 385. 13David Cope, New Directions in Music (Second edition, Dubuque, IA: W.C. Brown, 1976), p. 166. 14John Reeves White and André Boucourechliev, "Aleatory Music," Harvard Dictionary of Music (Second edition; Edited by Willi Apel; Cambridge,...

From Yankee Doodle thro' to Handel's Largo: Music at the World's Columbian Exposition

01 October 1984 O what music there will be in Chicago From Yankee Doodle thro' to Handel's Largo. The orchestras will play And the brass bands too, they say, For that great Columbian Fair at Chicago. We'll hear such melodies with grandest chords and harmonies When the...

Ives and Yale: The Enduring Influence of a College Experience

01 October 1999 In April 1998, the Yale University Department of Music and School of Music held a conference to commemorate the centenary of Charles Ives's graduation from Yale in 1898. "Ives & Yale '98" featured talks and panels on Ives's music and on his experiences...

Performing Fourteenth-Century Music

01 October 1969 This paper was read originally at the Eleventh Annual Meeting of the Society held in New Haven, Connecticut, December 27-29, 1968 as part of a ROUND TABLE discussion concerning "Rehearsal Techniques and Historical Performance Practice." The other...

Performance Practices and Rehearsal Techniques

01 October 1969 Historical Performance Practice." The other participants, whose papers were also included in SYMPOSIUM Volume 9, were JOHN REEVES WHITE, Conductor of the New York Pro Musica; DENIS STEVENS, Professor of Music at Columbia University and Artistic Director...

Rehearsals in the Renaissance and Baroque

01 October 1969 Historical Performance Practice." The other participants, whose papers were also included in SYMPOSIUM Volume 9, were JOHN REEVES WHITE, Conductor of the New York Pro Musica; ALFRED MANN, Professor of Music at Rutgers University and Director of the...

Handelian Rehearsal and Performance Practice

01 October 1969 Historical Performance Practice." The other participants, whose papers were also included in SYMPOSIUM Volume 9, were JOHN REEVES WHITE, Conductor of the New York Pro Musica; DENIS STEVENS, Professor of Music at Columbia University and Artistic Director...

Two-Piano Music Around Beethoven's Time: Its Significance for the College Teacher

01 October 1977 College music instructors face an ongoing challenge to provide their students with experiences that will lead to growth in musicianship. An effective means to achieve this growth is through ensemble performance. Such active music making with others is...