“A Garden of Sensitivity” — A Case Study of the Instrumental Music of Interwar Compositrice Marcelle Soulage

01 October 2024 Franz Joseph Haydn, to help inspire a “cultural renewal” for France through new works grounded in this tradition. [47] Leon Botstein, “Why Music? Aesthetics, Religion, and the Ruptures of Modernity in the Life and Work of Nadia Boulanger,” in Nadia...

Shostakovich's Preludes and Fugues: Fashioning Identities, Representing Relationships

02 October 2006 least in part, to the dominant ideologies and modes of representation of his unique time and place. Along similar lines, Leon Botstein has recently argued that we might view Shostakovich's music after the Pravda denunciation of Lady Macbeth in 1936 "as...

[i]Reflections on American Music: The Twentieth Century and The New Millennium[/i], edited by James R. Heintze and Michael Saffle

01 October 2003 English Maris; "Is There a Future for the Traditions of Music and Music Learning in Our Colleges and Universities?" by Leon Botstein; and the aforementioned William Carlos Williams poem. The first essay, by the 1999-2000 CMS President, discusses the...

Is There a Future for the Traditions of Music and Music Teaching in Our Colleges and Universities?

28 February 1997 for the appreciation of this form of life, which, to everyone in music, is actually a matter of life and death. authors: Leon Botstein author_ids: 1088 authors: Leon Botstein author_ids: 1088

Robert Schumann's Album for the Young and the Coming of Age of Nineteenth-Century Piano Pedagogy

01 October 2001 Rousseau's ideas about music education are discussed in Schilling-Sandvoss, Kindgemässer Musikunterricht, 51-62. 10See Leon Botstein, "History, Rhetoric, and the Self: Robert Schumann and Music Making in German-Speaking Europe, 1800-1860," in Schumann...