The Ph.D. in Music: An Affirmation of Traditional Values

01 October 1971 and Higher Education in the 1970's. Chairman of the panel was William J. Mitchell. The other panelists were Charles Hamm, Mantle Hood, Claude V. Palisca, Robert J. Werner, and Neal Zaslaw. Abstracts of the papers they presentedas well as Mitchell's...

Graduate Education of the Musician-Teacher

01 October 1971 and Higher Education in the 1970's. Chairman of the panel was William J. Mitchell. The other panelists were Charles Hamm, Mantle Hood, James Haar, Claude V. Palisca, and Neal Zaslaw. Abstracts of the papers they presentedas well as Mitchell's...

Music Curricula in the '70's

01 October 1971 and Higher Education in the 1970's. Chairman of the panel was William J. Mitchell. The other panelists were Charles Hamm, Mantle Hood, James Haar, Claude V. Palisca, and Robert J. Werner. Abstracts of the papers they presentedas well as Mitchell's...

Star-Spangled Bibliography

01 October 1972 into the study of cultural institutions and all levels of musical and artistic expression within them"? Perhaps Mantle Hood, Charles Hamm, and especially Claude Palisca will be amused to learn the direction my thoughts took upon reading their timely...

Music Education and Ethnomusicology: A Ph.D. Program at U.C.L.A.

01 October 1973 Education. Consultants representing various interests in ethnomusicology and its relation to music education contributed: Mantle Hood, David Morton, and Rodney Vlasak (all UCLA faculty), Elizabeth May (music supervisor, Santa Monica Schools), and...

Paradigms in the History of Ethnomusicology

01 October 1979 (Urbana: University of Illinois Press, 1955), pp. 11-29. 30For a particularly effective statement of this view, see Mantle Hood, The Ethnomusicologist (New York: McGraw-Hill, 1971), p. 374. 31See, for example, the special issue on universals in The...

[i]Ethnomusicology Scholarship and Teaching[/i] - Ethnomusicology at the Bend in the Road

26 August 2014 and Michigan. At these schools students studied with master artists who often came for extended residences. At UCLA, Mantle Hood began with Javanese gamelan from Southeast Asia but quickly added ensemble instruction from West Africa, South Asia, and...

On [i]Symposium[/i] at 40

01 November 1999 table discussion were published, featuring contributions by Gerard Behague, Charles Boiles, Robert Brown, Robert Garfias, Mantle Hood, and others who were among the standard setters of ethnomusicology in the United States (CMS 7, Fall 1967:103-124)....

Stages in Musical Performance

01 May 2000 describe the concept of self reflection (through writing) about one's own performances of the music of foreign culture. Mantle Hood coined the term "bimusical" to explain the process of knowing the music of a foreign culture as well as you know your own...

Western Music and the Ethnomusicologist's Gaze: Theory, Praxis, and Performance Viewed by a Filipino-American with Lutheran Leanings

01 January 1995 the classical tradition that i s the case. If ethnomusicology is to continue its claim that it studies all music, or, as Mantle Hood so aptly put it, "music wherever, whenever," then the academy comes under our gaze. In the future I see the boundaries...