Comprehending Twelve-Tone Music as an Extension of the Primary Musical Language of Tonality

01 October 1984 different grammar and syntax than that of eighteenth- and nineteenth-century music? Such a view has been advanced by Martha MacLean Hyde with attempts to document it from Schoenberg's compositional sketches.2 The purpose of this essay is to show that...

Schoenberg's Sketches and the Teaching of Atonal Theory

01 October 1980 sketches for the Suite, Opus 29 (no. 1181). I have added in parenthesis the row labels P3, I4, and I0. authors: Martha MacLean Hyde author_ids: 1324 authors: Martha MacLean Hyde author_ids: 1324

Early Models in the Quantitative Analysis of Tonal Music

01 October 1984 much greater control over his musical resources and the listener greater insight into his aesthetic experiences. Martha MacLean Hyde has shown (in this publication and elsewhere) how Schoenberg used a quantitative approach to durational values to...