Assuming neal is required, and zaslaw is required, the following 11 results were found.
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Tempo Choices in Mozart’s Minuets: Considerations from a Conductor’s Point of View
the historical context in which Classical music was experienced by eighteenth-century listeners, American musicologist Neal Zaslaw states: If we are to try to create an aesthetic experience of an eighteenth-century symphony analogous to the eighteenth...
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The Authenticity of the [i]Symphony in A Minor[/i] (K16a) Attributed to Mozart: A Stylistic Study
K16a has been widely accepted as a Mozart symphony, a few scholars have raised serious doubts about its genuineness. Neal Zaslaw and Cliff Eisen questioned the symphony on both documentary and general stylistic grounds. They concluded that K16a belongs...
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This paper was part of a panel presentation for The College Music Society at the University of Toronto on November 7, 1970 entitled Music and Higher Education in the 1970's. Chairman of the panel was William J. Mitchell. The other panelists were...
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A New Approach to Music History Pedagogy Using iPad Technology and Flipped Learning
for purchase on the Apple iBooks Store. This book, written by several leading Mozart scholars including Cliff Eisen, Neal Zaslaw and John Irving, is a masterful blend of scholarship and design. The multi-touch experience greatly enhances the discovery...
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Music and Higher Education in the 1970's
in the 1970's. The panelists were Charles Hamm, Mantle Hood, James Haar, Claude V. Palisca, Robert J. Werner, and Neal Zaslaw. Abstracts of the papers they presented were also included in Symposium Volume 11. For those of us who are still congratulating...
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Music and Higher Education in the 1970's: A Needed Change in Attitude
panel was William J. Mitchell. The other panelists were Mantle Hood, James Haar, Claude V. Palisca, Robert J. Werner, and Neal Zaslaw. Abstracts of the papers they presentedas well as Mitchell's introductory remarkswere also included in Symposium Volume...
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Musical Literacy in the 1970's
was William J. Mitchell. The other panelists were Charles Hamm, James Haar, Claude V. Palisca, Robert J. Werner, and Neal Zaslaw. Abstracts of the papers they presentedas well as Mitchell's introductory remarkswere also included in Symposium Volume 11....
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The Ph.D. in Music: An Affirmation of Traditional Values
was William J. Mitchell. The other panelists were Charles Hamm, Mantle Hood, Claude V. Palisca, Robert J. Werner, and Neal Zaslaw. Abstracts of the papers they presentedas well as Mitchell's introductory remarkswere also included in Symposium Volume 11....
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Opportunities for Intracultural and Interdisciplinary Study
the panel was William J. Mitchell. The other panelists were Charles Hamm, Mantle Hood, James Haar, Robert J. Werner, and Neal Zaslaw. Abstracts of the papers they presentedas well as Mitchell's introductory remarkswere also included in Symposium Volume...
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Graduate Education of the Musician-Teacher
the panel was William J. Mitchell. The other panelists were Charles Hamm, Mantle Hood, James Haar, Claude V. Palisca, and Neal Zaslaw. Abstracts of the papers they presentedas well as Mitchell's introductory remarkswere also included in Symposium Volume...
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Celebrating 60 Years of the [i]Symposium[/i] (1961-2021): Learning from our Past
Schulenberg, Vincent Duckles, Susan C. Cook, Clifford Madsen, Claude V. Palisca, William Ennis Thomson, Timothy Rice, Neal Zaslaw, James R. Briscoe, John Daverio…and the list of luminaries goes on and on. The quality of our authors and the many stellar...
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