On Problems of Verification in Music Theory

01 October 1979 of a listener and his object of comprehension, the process model can be said to realize a comprehensive music analysis. 1Otto Laske, Music, Memory, and Thought: Explorations in Cognitive Musicology (Ann Arbor: University Microfilms, 1977), chapters 3,...

Toward a Pedagogy of Composition: Exploring Creative Potential

01 October 1986 "Für Orchester: Die Entstehung einer Gemeinschaftskomposition," Melos/Neue Zeitschrift für Musik 3 (1977):32-34. 4See Otto Laske, "Toward a Theory of Musical Instruction," In Theory Only 2 (1976-77):43-66, which suggests that "the heuristic processes of...

[i]Computer Music: Synthesis, Composition, and Performance[/i], by Charles Dodge and Thomas Jerse; [i]Foundations of Computer Music[/i], edited by Curtis Roads and John Strawn

01 October 1987 Roads has also written a nice overview of "Grammars as Representations for Music," which includes a listing of those from Otto Laske to Leonard Bernstein who have attempted to explain music in a grammatical way. "Hearing Musical Streams," a paper about...