Composers' Words, Theorists' Analyses, Ravel's Music (Sometimes the Twain Shall Meet)

01 October 2003 1990, 42-3. 17Hatten 1994. 18Cone 1970, 779-793. 19For a more complete analysis, see Kaminsky 2000, 56-63. authors: Peter Kaminsky author_ids: 419 authors: Peter Kaminsky author_ids: 419

The Popular Album as Song Cycle: Paul Simon's [i]Still Crazy After All These Years[/i]

01 October 1992 relation to the text. See Gustav Mahler: The Wunderhorn Years (Great Britain: Faber and Faber, 1975), 125-6. authors: Peter Kaminsky author_ids: 419 authors: Peter Kaminsky author_ids: 419

Introducing Musical Meaning through Popular Music

20 September 2018 Form.” or Walter Everett’s “truck-driver modulation.”21Everett, “Swallowed by a Song,” 118, 151 (n. 17 and 18). Peter Kaminsky terms this phenomenon a “crowbar modulation” and defines it as “an abrupt modulation to a higher pitch level for greater...

Robert Schumann and the "Real" Davidsbündler

01 October 1990 within a specific genre. For an in-depth discussion of large-scale relationships within these piano cycles see Peter Kaminsky, "Principles of Formal Structure in Schumann's Early Piano Cycles," Music Theory Spectrum 11/2, Fall 1989: 207-25. 4Plantinga,...