Western Music and the Ethnomusicologist's Gaze: Theory, Praxis, and Performance Viewed by a Filipino-American with Lutheran Leanings

01 January 1995 and opportunities. We of the American musical establishment can emulate the phoenix -- or the dinosaur. authors: Ricardo D. Trimillos author_ids: 1110 authors: Ricardo D. Trimillos author_ids: 1110

[i]Ethnomusicology Scholarship and Teaching[/i] - “The Song Is You”: From External to Internal in Ethnomusicological Performance

26 August 2014 Abstract In this article I examine the developing role performance has played in ethnomusicological research and teaching from the early days of our field until the present. Until well into the 1950s ethnomusicologists primarily concerned themselves...

Students Speak: Diversity in the Pedagogical Practices of Music in Higher Education

08 July 2014 Additional Arthors: David Aarons, Claire Anderson, Ne Myo Aung, Maren Haynes, Christina Kowalski-Holien, Kait LaPorte, Jocelyn Moon, Subhash Prajapahti, Julia Vilharlahti, and Patricia Shehan Campbell The musical world is not flat. Diversity is a...

Lessons from a World: Balinese Applied Music Instruction and the Teaching of Western "Art" Music

01 October 1993 Lessons from a World: Balinese Applied Music Instruction and the Teaching of Western "Art" Music1 The teacher does not seem to teach, certainly not from our standpoint. He is merely the transmitter; he simply makes concrete the musical idea which is to...