Richard D. Green
Assuming richard is required, and d is required, and green is required, the following 20 results were found.
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The Newberry Library, Chicago, contains a distinguished music collection, rare book, manuscript, and print holdings, and archives relevant both to the United States (and its Indian populations) and to the city of Chicago. Thus it is understandable that...
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Artistic Parallels between Arnold Schoenberg's Music and Painting (1908-1912)
I would like to express my appreciation to several people who helped in the preparation of this study: R. Wayne Shoaf, Archivist at the Arnold Schoenberg Institute, gave generous assistance at several stages; Nuria Schoenberg-Nono supplied valuable...
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Questioning as an Analytical Tool: Viewing the Score through the Eyes of the Composer
Abstract Always the beautiful answer Who asks a more beautiful question.1Warren Berger, preface to A More Beautiful Question: The Power of Inquiry to Spark Breakthrough Ideas (New York: Bloomsbury, 2014). -E.E. Cummings The relationship between...
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Zen and the Art of Leadership: Thoughts for Young Music Administrators
and respectful environment of dialogue among faculty and finally take our eye off that clock in our office. authors: Richard D. Green author_ids: 213 authors: Richard D. Green author_ids: 213
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Berg, Strindberg, and D Minor1 Berg's fusion of tonality and atonality is a notable feature of his musical language, and the key of D minor appears with surprising regularity. D minor can be found in various of his early unpublished piano sonatas, in...
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Help Wanted? Exploring Altruism in a Music Conservatory through Positive Social Deviance
The purpose of this project was to explore student reactions to altruism in the affective context of a music conservatory. Through a series of scenarios designed to breach social norms, the author gauged conservatory students’ willingness to accept...
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The Phrygian Inflection and the Appearances of Death in Music
. . . As the extreme possibility of Dasein, death is capable of the greatest lighting-up of being and its truth.1 Martin Heidegger It would appear, perhaps, . . . that all works [of art] could be defined through their rapport with the categories of...
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Practical Ways to Bring Information Literacy into the Undergraduate Music Curriculum
Library User Education with the Undergraduate Music History Sequence," in Foundations in Music Bibliography, edited by Richard D. Green (New York: Haworth Press, 1993), 187. 7Scott Carlson, "New Allies in the Fight Against Research by Googling,"...
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There is a greater need than pianoforte teachers and singing teachers, and that is a numerous company of writers and talkers who shall teach the people how to listen to music so that it shall not pass through their heads like a vast tonal...
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Worthy of the Canon: Romantic Cello Sonatas by Women
Abstract In 1882, Luise Adolpha Le Beau (1850–1927) won the first prize in an international competition in Hamburg, surprising the judges because of her gender. As a result, music journalists began publishing biographies of her across Germany, she...
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The diversity of our population is one of our greatest strengths as a country. Yet, we still encounter problems when the interests of the majority or dominant group conflict with those of minority groups. Though this "hegemony" of one group over...
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Introduction Orchestral conducting has been the latest door of opportunity to open for women in the field of music. Although women have been actively involved in performance, composition, teaching, and patronage from the history of the ancient Greeks...
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Paul Hindemith's Philosophy of Music and the Role of [i]The Four Temperaments[/i]
Paul Hindemith formulated his philosophy of music upon two "basic and unalterable musical values," the one, Augustinian, the other, Boethian. He defined the latter as the "power of music, its ethos . . . brought into action upon our mind"; the former,...
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The Woman in the Music (On Feminism as Theory and Practice)
The Woman in the Music 1 (On Feminism as Theory and Practice) At night in any kind of light, in twilight, candlelight, lamplight, and worst of all by moonlight, it becomes bars! The outside pattern, I mean, and the woman behind it is as plain as can...
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Sixteenth-Century Conception of Harmony
Modern musicians generally employ the term harmony in reference to the structure, function, and interrelationships of simultaneously combined musical tones. Thus narrowly defined, the term serves as part of a highly specialized, technical vocabulary...
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Performance Inquiry and Cognitive Science: A Search for Common Ground
Introduction The last decade has offered a surge in scholarship on music performance. Scholars interested in music performance can draw from a range of perspectives. Ethnomusicologists examine the performed activity of music1 as a social and cultural...
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Students Evaluate Music Theory Courses: A Reddit Community Survey
Abstract Undergraduate music programs are currently reexamining the place and value of theory study. While some have argued for this core subject to be dissolved and absorbed by related courses, others defend that music theory is a non-negotiable core...
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Abstract In this article, the authors put forward a Conceptual Model of Independent Studio Production (ISP) in undergraduate music technology courses. Independent Studio Production reflects the increasingly multifaceted nature of the recording...
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Music Degrees and Career Options: A Hot Topic
In 2001, the CMS Board developed the concept of a common topic of interest to the Society that would be discussed at both regional and national levels. For 2003, the topic was What You Can Do with a Degree in Music: Career Options Outside of Teaching...
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"Broadway the Hard Way:" Techniques of Allusion in the Music of Frank Zappa
Frank Zappa might be described as a cultural guerilla. He sees that the popular arts are propagandistic in the broad sense—even when they masquerade as rebellion they lull us into fantasy and homogenize our responses. So he infiltrates the machine and...
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