Assuming richard is required, and m is required, and graham is required, the following 12 results were found.
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[i]Judith[/i] and the Louisville Orchestra: The Rest of the Story
Introduction Musicians and scholars who lived through the late 1940s and early 1950s witnessed an astounding activity which took place in Louisville, Kentucky during that time. An ambitious effort by civic and musical leaders yielded an extraordinary...
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Music Therapy Today: Has Its Time Arrived?
Four years ago Richard Graham described the field of music therapy for COLLEGE MUSIC SYMPOSIUM readers, basing his article on the "official" definition of music therapy as given by the National Association for Music Therapy, Inc. (Graham, 1974). He...
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Comprehending Twelve-Tone Music as an Extension of the Primary Musical Language of Tonality
During the past decade several of Schoenberg's musical compositions have begun to take their places in the standard concert repertoire. Fine recorded performances have been made available of each of his mature works; and successful live performances of...
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College Applied Faculty: The Disjunction of Performer, Teacher, and Educator
College applied studio teaching has been examined, evaluated, and criticized in recent decades, but it has remained in place, unchanged in most ways due to the inherent “conserving” nature of the music conservatory, or to what Schlueter refers to as an...
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Transformation vs. Prolongation in Brahms's "In der Fremde"
In a recent paper presented at the annual meeting of the Society for Music Theory, Frank Samarotto discussed a specific point of contrast between the transformational approach to tonal harmony, in the form of Neo-Riemannian triadic transformational...
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The Education of the Music Therapist
Music Therapy Defined The term, "Music Therapy," refers to the prescribed use of music and music-related activities under the supervision of qualified personnel to assist a client (patient or student) to achieve a definite therapeutic goal.1 The...
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Carissimi’s [i]Jephte[/i] and Jesuit Spirituality
Abstract The lament that ends Jacomo Carissimi’s Jephte is frequently anthologized and taught in undergraduate surveys, and is justly famous for its emotional impact. Although it is generally thought to have been composed for performance at the...
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Abstract In this article, the authors put forward a Conceptual Model of Independent Studio Production (ISP) in undergraduate music technology courses. Independent Studio Production reflects the increasingly multifaceted nature of the recording...
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The Indian Music Debate and "American" Music in the Progressive Era
A little over a hundred years ago, composers and music critics in the United States launched a debate about the viability of an idiomatically American music and whether its roots could be found in folk music. One of the roots under discussion was music...
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Appreciation Without Apologies
Admit it: music appreciation is square. In the recent film comedy School of Rock, when a bumbling rocker somehow gets a job teaching at a stuffy prep school and begins teaching classes in "rock history and appreciation," what's funny is how the film...
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Beyond Childhood: Poulenc, [i]La courte paille[/i], and the Aural Envelope
Introduction: Evoking Childhood Musically Carnival of the Animals. Children’s Corner. Mother Goose. Musical depictions of the childhood experience have attracted a wide spectrum of composers, reaching an apex in the nineteenth and twentieth centuries....
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Music History at Ten Years a Minute
As educators, we are all painfully aware of how much information we need to cram into limited time-frames of our curricula. As J. Peter Burkholder succinctly states the problem: The most significant issue for teachers of undergraduate music history and...
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