Music Appreciation

01 October 1968 course. As always, the editor of SYMPOSIUM welcomes comments from readers concerning this subject. In addition to Robert K. Beckwith, the other participants in the Symposium were Jeanne Bamberger (University of Chicago), Henry Leland Clarke (University...

The Decline of Serialism and the New Romanticism: Control and Chance in the New Music

01 October 1979 The wisest thing to do is to open one's ears immediately and hear a sound suddenly before one's thinking has a chance to turn it into something logical, abstract, or symbolical.1 The mention of the word "romanticism" has, for the greater portion of our...

Beyond Intro: Further Roles for Music in the Liberal Arts Core

27 August 2012 More than three decades ago in this journal, in an essay entitled "The Department of Music in the Contemporary University," Henry L. Cady concluded Music in higher learning has come from the unhappy state of a pariah to a position of security. The arts...

The Appreciation of Music

01 October 1968 from readers concerning this subject. In addition to Jeanne Bamberger, the other participants in the Symposium were Robert K. Beckwith (Bowdoin College), Henry Leland Clarke (University of Washington), and Philip Friedheim (Hunter College). Their...

Studies in Listening

01 October 1968 to Henry Leland Clarke, the other participants in the Symposium were Jeanne Bamberger (University of Chicago), Robert K. Beckwith (Bowdoin College), and Philip Friedheim (Hunter College). Their articles also appear in College Music Symposium, Volume 8....

Special Problems in Teaching Music Appreciation

01 October 1968 addition to Philip Friedheim, the other participants in the Symposium were Jeanne Bamberger (University of Chicago), Robert K. Beckwith (Bowdoin College), and Henry Leland Clarke (University of Washington). Their articles also appear in College Music...