An Analytical Approach to Seventeenth-Century Music: Exploring Inganni in Fantasia Seconda (1608) by Girolamo Frescobaldi

01 October 1993 (New York: Garland, 1988), 176-179. 4Scholars have noted the use of inganno by various composers: Gesualdo, see Roland Jackson, "On Frescobaldi's Chromaticism and Its Background," The Musical Quarterly 57 (1971): 263, 265; Trabaci, see John Harper,...

A Survey of Burnout Among University Music Faculty

01 October 2007 According to Vandenberghe and Huberman, burnout is "a crisis of overworked and disillusioned human service workers."1 This syndrome has been extended to members of the teaching profession and has been categorized into three distinct and measurable...

Music Theory: A Single or Multiple View?

01 October 1973 By a "multiple view" is implied that each of the styles of music requires a theoretical explanation all its own, or, expressed differently, that a theory that is illuminative of one style may actually be inappropriate for another. Such a view has not...

Scalar Control

01 October 1975 I In his article, "Music Theory: A single or multiple view?",1 Roland Jackson makes a persuasive case for a diversified rather than a unified approach to analysis. His argument is especially pertinent to music of transitional periods, which, by its...

An Essay on Word Painting

01 October 1984 a brief example see Willi Apel, op. cit., p. 493. 12Luigi Torchi, L'arte musicale in Italia, III, p. 372, and also Roland Jackson, "On Frescobaldi's Chromaticism and Its Background," The Musical Quarterly, LVII (1971), 257. 13Although these are keyboard...