Assuming the is required, and college is required, and music is required, and society is required, the following 530 results were found.

  • The German Model in Music Curricula

    Recently, I was asked to review an article submitted for publication in a professional journal in which the author, unknown to me, noted the omission of Black composers from the study of music history and the exclusion of jazz and other ethnic musical...

  • Music Education: A Future I Would Welcome

    O. M. Hartsell's excellent piece seems as relevant today as when it first appeared in 1972. His admonition to include more diverse (world/ethnic/indigenously cultural) music into the curriculum seems even more important than it was three decades ago....

  • Sociomusicology: A Status Report

    The study of music has evolved over the years into a domain with distinct divisions, each concerned with a specific perspective. Historical musicology has as its focus the sequential, chronological development of music. Ethnomusicology examines music...

  • Professional Quality of Life among Music Faculty in Higher Education

    Editor, Scholarship and Research James A. Grymes Abstract The purpose of this study was to examine professional quality of life among music faculty (N = 242) in higher education. Using the Professional Quality of Life Scale (Stamm, 2010), we assessed...

  • Women, Women's Studies, Music and Musicology: Issues of Pedagogy and Scholarship

    Born from the political women's movement of the late 1960s, the academic discipline of women's studies is now twenty years old. In its two decades of existence, the field has generated a tremendous amount of influential scholarship. Almost every issue...

  • Current Status of Music Theory Teaching

    of 2015. The survey was sent out through the discussion listserv for the Society for Music Theory and through The College Music Society.2 Over 350 participants responded to portions of the survey and the majority of the open ended questions included...

  • A Web-Assisted Approach to the Music Listening Class

    Introduction Rationale for the new design Course design Typical week's lesson Complete course materials Evaluation results Statistics on web use Correlation between web use and performance in the course Pedagogical possibilities Conclusion Introduction...

  • The Performing Arts on Campus

    Institutions of higher education are not only beset with budget problems affecting our arts faculties and curricula in general, but we face still another condition of financial exigency. Victims of our own success in establishing a home for the...

  • Performance Practices and Rehearsal Techniques

    This paper was read originally at the Eleventh Annual Meeting of the Society held in New Haven, Connecticut, December 27-29, 1968 as part of a ROUND TABLE discussion concerning "Rehearsal Techniques and Historical Performance Practice." The other...

  • Beyond Beauty, Brilliance, and Expression: On Reimagining Jazz and Classical Music Performance Training & Reconnecting with the General Public

    JOY, PLEASURES, and A GROWING DISCOMFORT Many of us classical music performers grew up spending years apprenticing with master musicians, feeding an appetite for music-making that was gloriously insatiable. We quickly came to relish great artists and...

  • Teaching Rap: Musings at Semester's End

    popular contemporary idiom. 1A version of this article was read at the Annual Meeting of the Northeast Chapter of The College Music Society on March 30, 1996. 2See, for example, Tricia Rose, Black Noise: Rap Music and Black Culture in Contemporary...

  • Analyzing Improvised Jazz

    Now that jazz is achieving respectability in educational circles and analysts are applying their diverse techniques to improvised solos, it is appropriate to review what is being done in jazz analysis and to suggest a direction for the future. The...

  • The Incidence of Noise-Induced Hearing Loss among Freshman Students Who Participated in Organized Music Activities Prior to Attending College

    Abstract Purpose: The purpose of this study was to 1) evaluate the incidence of noise-induced hearing loss (NIHL) of freshman students who participated in organized music activities prior to attending college; 2) provide subjects with personalized,...

  • The New Arts Education

    The directions that the arts are taking in public education are endemic to what is or should be taking place in teacher preparation. This is truer today than it used to be just a few years ago. With the current drop in enrollments at every level of the...

  • Women Composers: Reminiscence and History

    The current wave of interest in matters relating to women has sparked a series of projects about women in the arts. Women and Creativity, Women in Music, and other panel presentations have proliferated. For the most part these are still in the inchoate...

  • College Music and the Engaged Campus: A Statement by The College Music Society

    College Music and the Engaged Campus A STATEMENT BY THE COLLEGE MUSIC SOCIETY (CMS) AAHE MEETING, WASHINGTON, D.C., OCTOBER 12, 2001 Background The College Music Society (CMS) is a professional organization of college music teachers. Members of the CMS...

  • The Fairbank Collection

    The Newberry Library, Chicago, contains a distinguished music collection, rare book, manuscript, and print holdings, and archives relevant both to the United States (and its Indian populations) and to the city of Chicago. Thus it is understandable that...

  • What Theorists Do

    The Art, the Profession, and the Future, which was read at a plenary session of the national conferences of The College Music Society and the American Musicological Society, in Washington, D.C., on November 6, 1976. The other papers read in the session...

  • College Music Symposium: A Reflection on the Past and a Step into the Future

    College Music Symposium, the premier journal of The College Music Society, was published in print form for 50 years, 1961-2010. The journal included scholarly and historical articles, reviews of publications and recordings, reports of musical events,...

  • "Trollopiana"—David Claypoole Johnston Counters Frances Trollope's Views on American Music

    The publication of Frances Trollope's Domestic Manners of the Americans (London, 1832) provoked a storm of angry reactions in the United States. Journalists, artists, and popular-music composers alike denounced her criticisms of American life and...