Assuming the is required, and college is required, and music is required, and society is required, the following 530 results were found.
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The Wingspread Conference on Music In General Studies was held at the Johnson Foundation Conference Center in Racine, Wisconsin, in 1981. The purpose here is to discuss the background, goals, and outcomes of this Conference, particularly the workshops...
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those who have been active in CMS for some time feel quite comfortable with the first sentence of our mission: "The College Music Society is a consortium of college, conservatory, university and independent musicians and scholars interested in all...
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This year, 1999, is the 40th anniversary of The College Music Society. It is also the year of my 40th high school reunion. Indeed, 1959 was a year that certainly came to have a great effect on me! Since I often say that I am now finally a mature young...
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The Committee on Administration presented a session at the national meeting in Salt Lake last November to a standing-room-only audience. Titled Herding Cats or Thrown to the Wolves? Leadership and the Department Chair, the session focused on approaches...
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At its meeting last October the Board adopted a new Mission Statement for The College Music Society. The wording was worked out by Board members J. Peter Burkholder (musicology) and Robert Weirich (performance), who deserve special thanks, but it draws...
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Overview and Content of the Manifesto
In 2013, Patricia Shehan Campbell, at the time President of The College Music Society, appointed the Task Force for the Undergraduate Music Major (TFUMM) to consider "what it means to be an educated musician in the twenty-first century" and "to make...
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Squeak and Blat: Crossing Ponds and Breaking Ice
of the past, while letting them explore new and innovative forms of expression. Manuel, I think you will find The College Music Society a wonderfully nurturing organization for these types of discussions. The diversity of our members and their...
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College-Community Partnerships: The Engaged Campus
The CMS Committee on Advocacy has led two significant initiatives for music advocacy on behalf of the College Music Society in recent months. Their purpose was to establish a firm and enduring presence for music in the dialogue of issues pertinent to...
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Opportunities for Intracultural and Interdisciplinary Study
This paper was part of a panel presentation for The College Music Society at the University of Toronto on November 7, 1970 entitled Music and Higher Education in the 1970's. Chairman of the panel was William J. Mitchell. The other panelists were...
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Teaching Music in the Context of General Studies
that perhaps some of these dialogues will move in the direction of real action. For the past several years, The College Music Society has hosted sessions, plenary and otherwise, that involved the membership in discussions about how we might transform...
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Reconciling Values and Dollars in an Age of Declining Resources
Now emerging from the 2008-2009 economic free-fall, academe faces a new reality, one that likely will define our fiscal landscape for some time to come. The question becomes, how will we guide ourselves in this time of limited-and limiting-resources,...
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a panel entitled "Performance and the Laborde Chansonnier: Authenticity of Multiplicities" which was presented for The College Music Society at Baldwin-Wallace College, November 8, 1969. The moderator was Robert Austin Warner. The other panelists were...
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The Arts in Education: An Absolute Necessity - A Response to Michael Greene
In his keynote address at the 1993 Meeting of CMS, Michael Green discussed the declining place of the arts in the United States. Funding for the arts specifically, for music education is decreasing year by year. The amount of time spent on the arts in...
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This article reflects a panel that was part of a Symposium entitled College Music Abroad, which took place at the December 29, 1961, session of the CMS annual conference, Salem College, Winston-Salem, N.C. The other panelists were Iva Dee Hiatt, Thomas...
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In Support of Requiring Two Semesters of Class Piano Prior to Music Theory 1
especially geared toward students who lack piano background. Notes 1. This essay is based on a paper presented at the College Music Society Great Lakes Regional Conference, April 5, 2019. References West Marvin, Elizabeth. (2012) The Core Curricula in...
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In 2014, CMS issued a report calling for substantial change in the collegiate music curriculum (College Music Society 2014). Beginning in 2020, tertiary music units began engaging in diversity, equity, inclusion, and belonging (DEIB) initiatives on an...
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Partnerships between P-12 schools and arts organizations are now well established within arts education. Affirming this thirty-year evolution, The New Handbook of Research on Music Teaching and Learning (2002) contains several chapters on the...
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If We Are All Theorists, Why Aren't We All Theorists?
The Art, the Profession, and the Future, which was read at a plenary session of the national conferences of The College Music Society and the American Musicological Society, in Washington, D.C., on November 6, 1976. The other papers read in the session...
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be regarded as irrelevant. The meanings of a number of terms which can be found regularly in publications of The College Music Society are not self-evident, may mean the opposite of what they seem to mean, or are used in a very exclusive sense - for...
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Looking Back to Move Forward: A Reflection on Music Entrepreneurship’s Second Wave
In 2010, I had the honor of serving on several panels as part of the College Music Society’s (CMS) Music Entrepreneurship Education Summit held at Vanderbilt University. The tagline for the Summit still resonates with me: “Catching the Second Wave.” I...
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