Composing a Sound: Giacinto Scelsi’s L’âme ailée / L’âme ouverte for violin solo

22 December 2017 MA: Harvard University Press. DeLio, Thomas. 2008. “su una nota sola: Giacinto Scelsi’s Quattro pezzi, No. 3 (1959).” In Thomas DeLio: Composer and Scholar. Lewiston, NY: The Edwin Mellen Press. Dewey, John. 1958. Art as Experience. NY: Capricorn Books....

A Web of Words: Elliott Carter’s End of a Chapter

17 June 2016 University Press, 1998. Wierzbicki, J., Elliott Carter. Urbana, Illinois: University of Illinois Press, 2011. authors: Thomas DeLio author_ids: 150 authors: Thomas DeLio author_ids: 150

Dis-moi, Daphénéo… Erik Satie’s Path to Modernism

01 October 2011 as strong as the subsequent G to which it supposedly “resolves.” I see this as a chord that telescopes ii7 and V9. 18Thomas DeLio, “Language and Form in an Early Atonal Composition: Schoenberg's Op. 19 No. 2," 17‒20.

Celebrating 60 Years of the [i]Symposium[/i] (1961-2021): Learning from our Past

01 May 2021 2001). Allen Forte, the master of music analysis, in 1977 mused on “Music Theory in Re-Transition” (Forte 1977); Thomas DeLio, the experimental composer and theorist, wrote several articles for Sympsoium, for instance, the 2016 work, “A Web of Words:...

[i]Idea[/i] and Analysis: Aspects of Unification in Musical Explanation

01 October 1990 on the text "the sickle moon." Other types of relationships between the text and canonic structure are explored in Thomas DeLio, "A Proliferation of Canons: Luigi Dallapiccola's 'Goethe Lieder No.2'," Perspectives of New Music 23.2 (1985), 186-95....