Volume 30

Articles

• Analyzing Improvised Jazz
  Gary Potter
  PDF
• Beethoven, Tristan, and The Beatles
  Robert Gauldin
  PDF
• The Rich Messiness of Music: Teaching Theory in Music with Contradiction and Paradox
  Michael R. Rogers
  PDF
• Idea and Analysis: Aspects of Unification in Musical Explanation
  Claire Boge
  PDF
• Structural Unities in a Work of Bartók: "Boating" from Mikrokosmos, Vol. 5
  Peter Child
  PDF
• Structure in the Fifth Door Scene of Bartók's Duke Bluebeard's Castle: —An Alternative Viewpoint
  Carl S. Leafstedt
  PDF
• Bartók's Bluebeard: The Sources of Its "Modernism"
  Elliott Antokoletz
  PDF
• Six Case Studies in New American Music: A Postmodern Portrait Gallery
  Robert B. Carl
  PDF
• Toru Takemitsu and the Unity of Opposites
  Timothy Koozin
  PDF
• Marie-Emmanuelle Bayon, Later Madame Louis, and Music in Late Eighteenth-Century France
  Deborah Hayes
  PDF
• Feminist Scholarship and the Field of Musicology: II
  Jane Meredith Bowers
  PDF
• "Music as a Pursuit for Men": Accompanied Keyboard Music as Domestic Recreation in England
  Howard Irving
  PDF
• Frederick the Great: Flutist and Composer
  Andrea Kapell Loewy
  PDF
• Teaching Introductory Music Courses with a "More Comprehensive Perspective"
  James Parakilas
  PDF
• The German Model in Music Curricula
  Roger Rideout
  PDF
• Beyond Music in Western Civilization: Issues in Undergraduate Music History Literacy
  Mary Dupree
  PDF
• New Solutions to Canon 10 of J.S. Bach's Fourteen Canons BWV 1087
  Peter Harrow
• Berg, Strindberg, and D Minor
  David P. Schroeder
  PDF
• Teleology and Structural Determinants in Beethoven's C# Minor Quartet, Op. 131
  Barbara Barry
  PDF
• Poem to Music: Schumann's "Mondnacht" Setting
  Curt Cacioppo
  PDF
• Reading Schumann By Way of Jean Paul and His Contemporaries
  John Daverio
  PDF
• Robert Schumann and the "Real" Davidsbündler
  Andrew Fowler
  PDF
• Rehearing the Moment and Hearing In-the-Moment: Schubert's First Two Moments Musicaux
  Charles B. Fisk
  PDF