Volume 51

Articles

• An Interview with Thomas A. Brantigan: Beta Blockers and Musicians – A Thirty-Year Retrospective
  Luis C. Engelke
  PDF | https://doi.org/10.18177/sym.2011.51.sr.766
• A Look at Women’s Status in Music Academia
  Maria Begona
  PDF | https://doi.org/10.18177/sym.2011.51.sr.29
• Introducing the Learning Portfolio into Music Theory Core Pedagogy
  Anna Ferenc
  PDF | https://doi.org/10.18177/sym.2011.51.sr.19
• The Ethics and Legality of Beta Blockers for Performance Anxiety: What Every Educator Should Know
  Luis C. Engelke and Terry B. Ewell
  PDF | https://doi.org/10.18177/sym.2011.51.sr.18
• Dramatic pairing in Fidelio: A structuralist approach
  Ilias Chrissochoidis
  PDF | https://doi.org/10.18177/sym.2011.51.sr.17
• Black, Brown, and Beige: One Piece of Duke Ellington's Musical and Social Legacy
  Garth Alper
  PDF | https://doi.org/10.18177/sym.2011.51.sr.16
• The Crystallization of the New, New Music at UCSD
  Guy Obrecht
  PDF | https://doi.org/10.18177/sym.2011.51.sr.15
• Analysis and Performing Mozart
  Joel Lester
  PDF | https://doi.org/10.18177/sym.2011.51.sr.14
• A Reevaluation of Isorhythm in the "Old Corpus" of the Montpellier Codex
  Michael Lanford
  PDF | https://doi.org/10.18177/sym.2011.51.sr.13
• Paul Hindemith's Philosophy of Music and the Role of The Four Temperaments
  Sandra L. Johnson
  PDF | https://doi.org/10.18177/sym.2011.51.sr.12
• Repetition without Repetition: Bernsteinian Perspectives on Motor Learning for Musicians
  John Paul Ito
  PDF | https://doi.org/10.18177/sym.2011.51.sr.11
• Ottorino Respighi Before Fountains of Rome: Rediscovered Early Works Foreshadow Later Masterpieces
  Salvatore Di Vittorio
  PDF | https://doi.org/10.18177/sym.2011.51.sr.9
• Dis-moi, Daphénéo… Erik Satie’s Path to Modernism
  Thomas DeLio
  PDF | https://doi.org/10.18177/sym.2011.51.sr.8