Preface
Articles
- Florentín Giménez’s Misa folclórica paraguaya: A Liturgical Celebration through the Lens of Musical Nationalism
- Erlkönig: Goethe, Schubert, and Resurrecting the Son
- Non-Music Major Participation in College and University Ensembles
- Understanding the Work and Perspectives of Music Faculty through Positive Leadership[sup]1[/sup]
- Creative Efficacy Toolbox: Introducing a Professional Development Model for Creatives
Forums
- Black Music Matters
- A Case for Hiring Mischief Makers
- Faculty Job Qualifications vs DMA Curricula. Part I of Equipping DMA Candidates to Win Tenure-Track Jobs
- Modifying DMA Curricula and Advising Part II of Equipping DMA Candidates to Win Tenure-Track Jobs
Performances, Lectures, Lecture-Recitals, Training
- Harlem (1950) by “Duke” Ellington, orchestrated by Luther Henderson and Maurice Peress. Performed by the Kennesaw State University (KSU) Jazz Ensemble 1 (Sam Skelton, Director) and KSU Symphony Orchestra (Nathaniel F. Parker, Director and Conductor)
- Mozart Piano Concerto No. 17 in G major, KV. 453; Chopin Andante Spianato et Grand Polonaise Brillante, Op. 22; Prokofiev Sonata No. 4 Op.29. Performed by pianist Yun Ji Kwak
Technology and Online Resource Reviews
- The Potential for Sight-Singing Evaluation with SoundCheck
- BandLab: A Free Cloud-based Digital Audio Workstation (DAW) for Music Production
- Connect in an Innovative and Meaningful Way with Students Using JamKazam