Volume 27 - College Music Symposium

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Volume 27

Articles

The Eighteenth Century as a Music-Historical Epoch: A Different Argument for the Proposition

Publication, Performance, and the University Merit Evaluation: Equitable Treatment for the "Creative Artist"

A Challenge to Music Educators

Towards a History of Absolute Pitch Recognition

A Stylistic Analysis of Selected Pop Songs, 1965-1984

Folk Music and the "Free and Equal Treatment of the Twelve Tones": Aspects of Béla Bartók's Synthetic Methods

Structural Levels: A Key to Liszt's Chromatic Art

The First Movement of Beethoven's Opus 132 and the Classical Style

Critical Language and Musical Thought in the Seventeenth and Eighteenth Centuries

Teaching Seventeenth-Century Concepts of Musical Form and Expression: An Aspect of Baroque Music

Reviews

Computer Music: Synthesis, Composition, and Performance, by Charles Dodge and Thomas Jerse; Foundations of Computer Music, edited by Curtis Roads and John Strawn

The Emancipation of Music from Language: Departure from Mimesis in Eighteenth-Century Aesthetics, by John Neubauer

Amerigrove's Pedigree: On The New Grove Dictionary of American Music

Orientations, by Pierre Boulez

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