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Volume 27
The Eighteenth Century as a Music-Historical Epoch: A Different Argument for the Proposition
Robert L. Marshall
October 1, 1987
Publication, Performance, and the University Merit Evaluation: Equitable Treatment for the "Creative Artist"
Robert F. Schmalz
October 1, 1987
A Challenge to Music Educators
Ann K. Gebuhr
October 1, 1987
Towards a History of Absolute Pitch Recognition
Rita Steblin
October 1, 1987
A Stylistic Analysis of Selected Pop Songs, 1965-1984
Randall G. Pembrook
October 1, 1987
Folk Music and the "Free and Equal Treatment of the Twelve Tones": Aspects of Béla Bartók's Synthetic Methods
Mark Nelson
October 1, 1987
Structural Levels: A Key to Liszt's Chromatic Art
David Allen Damschroder
October 1, 1987
The First Movement of Beethoven's Opus 132 and the Classical Style
V. Kofi Agawu
October 1, 1987
Critical Language and Musical Thought in the Seventeenth and Eighteenth Centuries
Georgia Cowart
October 1, 1987
Teaching Seventeenth-Century Concepts of Musical Form and Expression: An Aspect of Baroque Music
George J. Buelow
October 1, 1987
Computer Music: Synthesis, Composition, and Performance
, by Charles Dodge and Thomas Jerse;
Foundations of Computer Music
, edited by Curtis Roads and John Strawn
William R. Matthews
October 1, 1987
The Emancipation of Music from Language: Departure from Mimesis in Eighteenth-Century Aesthetics
, by John Neubauer
Peter Kivy
October 1, 1987
Amerigrove's Pedigree: On
The New Grove Dictionary of American Music
Richard Crawford
October 1, 1987
Orientations
, by Pierre Boulez
Martin Brody
October 1, 1987
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