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Volume 63, No.2
Lisa Urkevich, General Editor
An Exploratory Study of Relationships Between Job Perceptions and University Music Faculty Burnout
Brenda Wristen
November 8, 2023
The Incidence of Noise-Induced Hearing Loss among Freshman Students Who Participated in Organized Music Activities Prior to Attending College
Douglas T. Owens, Brian J. Toy, Thomas Parchman
November 8, 2023
Tempo Choices in Mozart’s Minuets: Considerations from a Conductor’s Point of View
Mathias Elmer
November 9, 2023
The Applications of Social Capital and Resource-Based Theory for Building an Effective Team
José Valentino Ruiz and Chris Shelton
November 9, 2023
Prelude: Music Entrepreneurship in Perspective and Remembrances of CMS’s 2010 Summit
Josef Hanson
November 5, 2023
The Origins and Context of the 2010 CMS Summit on Music Entrepreneurship Education
C. Tayloe Harding, Jr.
November 5, 2023
Looking Back to Move Forward: A Reflection on Music Entrepreneurship’s Second Wave
Nathaniel Zeisler
November 5, 2023
The Future of Arts Entrepreneurship: Observations and Yes, More Work to Do
Gary D. Beckman
November 5, 2023
Education Debt, Accountability and Big Data: Measuring the Success of Arts Entrepreneurship Programs
Douglas Dempster
November 5, 2023
Lecture-Recital: A Musico-Sociological Study of Paul Dukas’s French-Jewish Identity Manifested in “Variations, Interlude, et Finale Sur un Thème de Rameau.”
Seulki Susie Yoo
November 5, 2023
Review: A Musico-Sociological Study of Paul Dukas’s French-Jewish Identity Manifested in
Variations, Interlude, et Finale Sur Un Thème de Rameau.
Seulki Susie Yoo, speaker and piano. June 2nd, 2023.
Diana Shapiro
November 5, 2023
The Potential Future of Audio Engineering Education using the VR Virtual Studio XR
Barry Atticks and Logan Ressler
November 8, 2023
iReal Pro: A revolution in jazz education practice tools
Miles Brown
November 8, 2023
Leveraging the Chordie App to display harmonic and melodic information through screen sharing video conferencing platforms
Drew X Coles
November 8, 2023
Who Hears Here? On Black Music, Pasts and Present.
by Guthrie Ramsey, with Tammy Kernodle (foreword) and Shana L. Redmond (afterword). Berkeley: University of California Press, 2022
Melvin Earl Villaver, Jr.
October 19, 2023
Emil von Sauer: Liszt’s Forgotten Protégé
by Anita Crocus (Luminare Press, 2022)
Omar Roy
October 19, 2023
The Cambridge Encyclopedia of Historical Performance in Music
Eds. Colin Lawson and Robin Stowell (Cambridge: Cambridge University Press, 2021)
Kenneth Kam
October 19, 2023
Discovering the Classical String Trio, Volume 3, The Vivaldi Project (Allison Nyquist, Stephanie Vial, and Elizabeth Field), 2021.
Jonathan Rhodes Lee
October 19, 2023
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